1.
Study on Artistic Characteristic of Chopin s 《g Minor Ballade》;
论肖邦《g小调叙事曲》的艺术特征
2.
The Analysis of the Symphonic Ballade Random Thoughts of Uliger Theme
分析交响叙事曲《乌力格尔主题随想》
3.
On Multi-principle Form in Chopin s Balladen f Minor(Op.52);
论肖邦《f小调叙事曲(Op.52)》中的多曲式结构原则
4.
for the erhu by Liu Wenjin (Ballad of Northern Henan and Musing at the Sanmen Gorge), and Huang Haihuai (Horse Race);
二胡曲有刘文金的《豫北叙事曲》和《三门峡畅想曲》、黄海怀《赛马》
5.
Research on Creation Characteristics and Performance of Chopin s F Major Ballade Op.38;
肖邦《F大调叙事曲》Op.38创作特征与演奏的研究
6.
On the Coherent Development of the Theme-motive of Chopin s Ballade in G Minor;
论肖邦《g小调叙事曲》主题—动机贯穿发展
7.
On Chopin Piano Music and His "G Minor Ballad";
浅谈肖邦钢琴音乐与他的《G小调叙事曲》
8.
On the Performance and Teaching of Chopin s First Narrative in G-minor;
论肖邦《g小调第一叙事曲》的演奏与教学
9.
On Metafictional Narrative Strategies of Horizontal Narrative Discourse and "Fragment" Narration in Zuckerman Trilogy;
“佐克曼三部曲”的元小说叙事策略：碎片叙事及非线性叙事话语研究
10.
A Study of Interpersonal Meaning in Narrative Country Music Lyrics;
叙事性乡村歌曲歌词的人际意义研究
11.
Narrative Strategies in Indian Trilogy of V.S. Naipual;
论V.S.奈保尔“印度三部曲”的叙事策略
12.
The Narrative Skill and Cultural Connotation of the Family Trilogy;
“家庭三部曲”的叙事策略及其文化内涵
13.
Traveling Plots and It s Narrative Functions in Ancient Chinese Operas;
论出游情节在古代戏曲中的叙事作用
14.
On Narrative Theory of Chinese Drama in Xian Qing Ou Ji;
浅析《闲情偶寄》中的戏曲叙事理论
15.
Performing Interpretation of the Piano Suite "Uliger Narrative";
钢琴组曲《乌力格尔叙事》的演奏诠释
16.
On the Modernistic Narrative Strategies of The Prelude;
小说《序曲》的现代主义叙事策略探析
17.
Discussion on the Art of Theatrical TV Play
论戏曲电视剧叙事艺术——兼与舞台戏曲之比较
18.
Its narrative structure is divided into three parts:
它为叙事性多段套曲结构，分为三大部分: