1.
Philosophy Founded by Aloofness and Cling --Sushi s Spirit Embodied in the Poem "Riding out the Storm";
超然与执著铸就的达观——从《定风波》看“苏轼精神”
2.
Inheritance and Significance of Poetic Spirit: From Su Shi to Qu Yuan;
论苏轼对屈原诗学精神的继承及意义
3.
Poems of Su Shi with the Spirit of Argumentation, simplicity and Elegance in Song Dynasty;
苏轼诗歌与北宋文化的议论精神和淡雅精神
4.
Su Shi s Concern for the World and Conventionalities in His Handwriting;
入世精神与苏轼书法守成性特征的形成
5.
The Zenish Spirits in Su Shi s View of "Place Interest on Painting and Calligraphy but Not be Indulged in";
论苏轼“寓意而不留意”书画观的禅门精神
6.
The Complementary View of Ultimate and Society
终极与社会两种视角的互补——苏轼的精神奥秘
7.
A kind of Linking Spirit;
现实的话语权:一种贯通的精神——从苏轼和赵树理想到的
8.
The Influence of Chan Sect on Sushi s Personality;
外涉世而中遗物——禅宗思想影响下的苏轼人格精神
9.
A Brief Talk on the Thought of Su Shi s "Respect Emperor and Benefit the People";
精神信念与知识分子宿命——苏轼“尊主泽民”思想浅谈
10.
Su Shi s Concept of "Form and Spirit" in Painting and the Relationship with Buddhism;
苏轼绘画"形神"观及其与佛教的关系
11.
Some Notes on Su Shi s Poetic Theory;
似非而是:神似之思——苏轼诗学片论
12.
Fiexible Application of the Ancient Regulation and the Creation of New Realistic Opportunities --Su Shi s Critical inheritage of the tradition and the spirit of reclaimation;
活用古代良规 融合现实新机——苏轼对传统的批判继承和现实的拓新精神
13.
A brief analysis of the ways of SU Shi making the poetry in his age elegant;
精微超旷 开拓心胸——论苏轼词雅化的表现形式
14.
Qiang Zhongshu composed Selected Annotation of Song Poems.
而《谈艺录》对宋诗，尤其对苏轼、安石、庭坚、与义等，都有精辟独到的评论。
15.
He also said paintings should not only be alike in appearance but also in spirit .
表现在书法上，苏轼认为“书如其人”,书法也能传书者之神。
16.
Observation, Appreciation and Perfection in Imagination: The Three Stages of Natural Beauty Evaluation in Su Shi s Prose Qian Chibi Fu;
悦目·会心·畅神和超越——苏轼《前赤壁赋》自然美审美心理过程管窥
17.
The Research of the Development of Suzhou City Spirit and College Spirit;
苏州城市精神与大学精神的发展研究
18.
On the Inheriting Relations between the Spirit of the Chinese Soviet Areas and That of Jinggangshan;
论苏区精神与井冈山精神的传承关系