1.
On the Direct Symbolicalness and the Indirect Expressivity of Liu Zongyuan s Travel Writings (Poems and Essays);
寓意山水的个体忧怨和美学追求──论柳宗元游记诗文的直接象征性和间接表现性
2.
On the Direct Method and Indirect Method in Working out Cash Flow Meters;
论编制现金流量表的直接法与间接法
3.
Thisness in Philosophy: The Directness and Indirectness and the Conditions for Their Realization;
论哲学直接、间接的现实性及实现条件
4.
On the Indirect Strategy of Expression in the Design of Modern Advertising;
论现代广告创意设计的间接表现策略
5.
Analysis On the Four Adjustments in the Indirect Approach of Statement of Cash Flows;
现金流量表间接法四大调节内容剖析
6.
Understand the differences between the direct and the indirect SCF.
了解直接法与间接法现金流量表的不同。
7.
Explain the differences between the direct and the indirect SCF.
说明直接法和间接法现金流量表的不同。
8.
Thisness in philosophy has the both forms of directness and indirectness.
哲学现实性有直接性和间接性两种形态。
9.
The direct method pattern is shown as Exhibit 11-6, and the indirect method pattern is shown as Exhibit 11-7.
直接法下的现金流量表如表11-6所示,间接法下的现金流量表如表11-7。
10.
PRAGMATIC PARAMETERS、UTTERANCE INDIRECTNESS AND POLITENESS PHENOMENA;
语用参数、话语的间接性与礼貌现象
11.
Understand how to derive the indirect SCF from the Income Statement and the Balance Sheet.
理解如何根据损益表和资产负债表推出间接法现金流量表。
12.
Thus, the statement of cash flows in indirect method is prepared as Exhibit 11-5.
然后,间接法下的现金流量表便可编制如表11-5所示。
13.
Linguistic Indirectness and the Expressive Function of Intonation in Discourse;
语言的间接性与英语语调的会话表意功能
14.
Soluble expression of NP gene of infectious bronchitis virus in E.coli BL21 and development of ELISA on the basis of the expressed product
IBV NP基因的可溶性表达及间接ELISA方法的建立
15.
Numerical Research on Heat Transfer Characteristics of Surface Indirect Air Cooled Radiators
表面式间接空冷散热器换热特性的数值研究
16.
Splice donor site-- the junction between the end of an exon and the start of the downstream introns, commencing with the dinucleotide GT.
剪接提供位--位在表现子终端和下一个表现子之间的接合点,由GT核苷对起始.
17.
Preliminary Analysis of the Correlation Between MR Characteristics and the Expression of Ki67 in Giant Cell Tumor of Bone
骨巨细胞瘤MRI表现与Ki67表达之间的相关性分析
18.
Between Expression and Re-expression--On Subjectivity of Ma Zhiyuan's Zaju
在表现与再现之间——论马致远杂剧的创作主体性