1.
Realism Should not become such Reality--On Cao Yu s Aesthetic Thought of Theater;
现实主义,不能“那么”现实——对曹禺戏剧美学思想的反思
2.
Reacher into the human being s connotation;
“人”的内在规定性的探索——谭霈生戏剧美学思想研究
3.
Analyzing the Beauty and Evil in Wild s literary thought: taking Salome as an example;
论王尔德文学思想中的美与邪恶——以戏剧《莎乐美》为例
4.
A Reflection upon Zhang Geng s Aesthetic Ideas on Chinese Operas;
难以走出的西方戏剧美学强势话语语境——对张庚戏曲美学思想的反思之一
5.
Random thoughts on playwright Eugene O Neill and eastern culture;
美国戏剧家尤金·奥尼尔与东方思想关系散论
6.
Chinese Theatre,Confucianism,and Nationalism:Amateur Chinese Opera Tradition in Singapore
中国戏剧、儒家思想及民族主义:新加坡的爱美戏曲表演传统
7.
History·Game·Truth--Review of Gadamer s Aesthetics Ideas;
历史·游戏·真理——伽达默尔美学思想探新
8.
Analyzing the Aesthetic Thought on Drama in Zhou Ang's Zengding Jinpi Xixiang
周昂《增订金批〈西厢〉》戏曲美学思想评析
9.
Aesthetic Ideal of Traditional Operas On Emphasizing Inherent Qualities--Part of research in Xu Wei’s aesthetic ideology in traditional opera;
“每右本色”的戏曲审美理想——徐渭戏曲美学思想研究之一
10.
The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics;
戏曲艺术精神与戏曲现代化——张庚戏曲美学思想初探
11.
Metaphysical Poetry and Human Theatre:Mallarmé's Poetry and Theatre
形而上之诗学和人之戏剧——马拉美诗学与戏剧观
12.
Realism in Drama --Aesthetic View on Drama Starting from the Renaissance;
戏剧的写实主义——由文艺复兴肇始的戏剧美学观
13.
The System of Form and Meaning of Chinese Character XI and JU and Aesthetics Structure of China s Play;
汉字“戏”、“剧”的形义系统和戏剧文体的美学建构
14.
The Reconstruction of the Idea-Expression Dichotomy with the Literary Theory--Take Drama Literature as an Example
从文学理论对思想/表达二分法的重构——以戏剧文学作品为例
15.
Emphasizing the Unique Ideas of Time and Space in Traditional Chinese Opera -Following A Jia s Aesthetic Theories and Ideas;
重视戏曲的独特的时空观——学习阿甲的戏曲理论和美学思想
16.
Towards a Dialogue between Poetry and Thoughts: A Comparison between Yu Shangyuan and Brecht;
走向诗与思的对话——余上沅与布莱希特戏剧美学之“诗性”观比较
17.
International Theatre Institute
国际戏剧学会(戏剧学会)
18.
Salome--Easthetic experiment of Wilde's plays
《莎乐美》——王尔德戏剧的美学实验