1.
On the Research of the Tones of the Nanqu opera and Three Tone Books of the Qing Dynasty
南曲用韵与清三部南曲韵书研究述论
2.
On the Characteristics of Sentence Structures and the Categories of Changyang Nanqu Qupai "Nanqu Tail";
长阳南曲曲牌[南曲尾]曲词句式特点与分类之再分析
3.
Ch'eng Jui-chiao
程瑞乔，字南曲，号若水
4.
The Relationships Between Danxianr and the Origins of Changyang South Opera;
单弦牌子曲与长阳南曲渊源关系探讨
5.
The Inflence of Southern Tunes To Norther Zaju in the HuangHe River Valley;
黄河流域曲家与明清时期的南曲北渐
6.
A Study on the Tune Sort of Shizi Xu in Nanqu Jiugong Zhengshi;
《南曲九宫正始》[狮子序]曲牌的宫调归属论析
7.
Thoughts of Nan Jiugong and its correlation of Notation;
“南九宫”之疑——兼述与南曲谱相关的诸问题
8.
Probe into the Origin Relation Between Nanyang Major and Henan Clappers;
南阳大调曲与河南板头曲的渊源关系
9.
The “Nan and Bei Verses”, Ming and Qing Ditties, and Folk Songs: Reflections on the Combination of Nan and Bei Verses in Liao Zhai Zhi Yi;
“南北曲”、明清小曲和聊斋俚曲——从聊斋俚曲“南北合套”曲的唱腔说起
10.
hard-rinded squash with an elongated curved neck.
颈长而弯曲的硬皮南瓜。
11.
The Impact of Literati lyric on Nanbeiqu Melody in Ming and Qing Dynasty;
论明清时期文人曲词对南北曲曲牌定腔的影响
12.
Tries analyzes the suite Southern part of China Impression musical form structure content;
钢琴组曲《南国印象》曲式结构试析
13.
A Textual Research on Nantao and Nanbeihetao of Sanqu of the Yuan Dynasty;
《全元散曲》辑录的南套、南北合套考辨
14.
The fresh and lyrical quality of Zhonghua Liuban is typical of the musical style south of the Yangtze.
该曲曲调清新抒情，富有浓郁的江南风味。
15.
Music System Structure Analysis of Pu Anzhou in Nan Gaoluo Village's Music Band
南高洛音乐会乐曲《普庵咒》曲体结构分析
16.
Paizi qu, or folk tunes, had their historical origin chiefly in the folksongs of the south.
牌子曲，顾名思义，是由历来的南北小曲(曲牌)作为音乐主体的，
17.
Paizi qu broke out of the mold of the northern and southern music, which was limited to sets of gong diao music,
牌子曲突破了南北曲只用同宫调曲牌入套的限制，
18.
The Yunnan festive lantern has beautiful songs and rhythm, with many dances;
"云南花灯"词曲优美，舞蹈性强;