1.
Chaste Image and Ornate lmage A Comparison of poetry Images and Aesthetic Styles between wei Jin and South Dynasties;
本真的意象与装饰性意象——魏晋南朝诗歌意象美学风貌之比较
2.
The Modern Form of the "Imaginative Aesthetic"--On Ye Lang s Aesthetic Ontology;
“意象美学”的现代形态——论叶朗的美学本体论
3.
Phenomenological Intentionality and the Generation of Aesthetic Images of Poetry;
现象学的意向性与诗审美意象的生成
4.
The "Image" Aesthetics: A Reflection on the Chinese Film-Television Aesthetics System;
“意象”美学:中国影视美学体系再认识
5.
On Wang Fuzhi s Esthetical Image Theory and Lao Zi s Esthetical World;
论王夫之审美意象说与老子美学境界
6.
Lin Daiyu s Awareness of thd Potential Dangers:Its Symbolic Significance in Aesthetics;
林黛玉“忧患”意识的美学象征意义
7.
The Expression of Blood Image and its Aesthetic Meaning in Ancient Chinese Literature;
古代文学中的“血”意象表达及审美意义
8.
The Change of Image and Conception in Chinese Modern Aesthetics
中国现代美学中“意象”、“意境”概念的演变
9.
Artistic Conception and Imagery can Transcend and Produce Aesthetics
论“意境”对“意象”的超越与美学生成
10.
Three Aspects of Commodity Aesthetics: Commodity Image, Commodity Beauty and Commodity Imagery
商品美学三题:商品形象·商品美·商品意象
11.
Pound s Imagistic Theory and Imagistic Doctrine in Chinese Traditional Aesthetics;
庞德的意象论与中国传统美学的意象说
12.
The Modern Explanation of Aesthetic Image--Aesthetic Image from Acceptable Aesthetics Angle;
审美意象的现代性阐释——接受美学视角中的审美意象
13.
Kant’s Transcendence over Epistemological Aesthetics: with the Scope of Phenomenology;
超越认识论美学——康德美学的现象学意义
14.
The Intentional Method in Phenomenology: Its Significance to the Study of Aesthetics;
现象学的意向性方法对美学研究的意义
15.
Reflecting Phenomenology's Significance for Aesthetic from the Concept of Intentionality--Taking the Husserl's Phenomenology as Example
从“意向性”概念反思现象学对美学的意义——以胡塞尔现象学为例
16.
The Cosmo-Symbolism in the Portraiture of Han Dynasty and its Aesthetic Signification
汉画像宇宙象征主义图式及美学意义
17.
Study on Aesthetics Meaning of Urchin Image in the Fairy Tale of Zheng Yuanjie;
论郑渊洁童话中顽童形象的美学意义
18.
Wasteland and the alienation of the image of wasteland in American literature;
《荒原》和美国文学“荒原”意象的异化