1.
The Evolution and Exceeding of the Styles of Modern Block Print Creation Pattern
当代版画创作样式画风的演进与超越
2.
Impact of Woodcut Art in the Two Areas on Contemporary Engraving Creation Spirit;
两区木刻对当代版画创作精神的影响
3.
The Study of Etching Subjects of English Painter William Hogarth;
英国画家威廉·荷加斯的铜版画创作题材研究
4.
after the 1980s, the artistic concept of woodblock printing changed dramatically.
进入80年代后，版画创作的观念发生很大变化，
5.
Woodblock print making gained a good opportunity for development after the founding of the People's Republic of China.
新中国成立以后，版画创作得到了更充分地发展。
6.
Views on Unconsciousness of Chinese Contemporary Print;
浅谈中国当代版画创作中的无意识形态
7.
On the Survival of the State of Contemporary Artists and My Prints Creation
论当代艺术家的生存状态与我的版画创作
8.
Chinese Art Spirit's Influence on Chinese Contemporary Printmaking Creation
中国艺术精神对当代中国版画创作的影响
9.
Silent Rhythm-Value Analysis of Duplication on Printmaking
无声的律动——浅析重复在版画创作中的价值
10.
Chinese wood-block prints from different areas have different styles.
版画创作先后在一些地区以群体的方式显示了风格的基本特点。
11.
On the Valuable Concerning Prints in the Sculpture and Carve Creation Course of Fine Art Institute;
论高等美术院校版画创作课教学中值得关注的几个问题
12.
Epilogue concludes the influence of national culture in the production of the art of print and the existing problems.
结语将就版画创作的现状和本土民族文化选择的重要性作一宏观概括。
13.
Advantage of the Destroyable Watermark Woodcarving for the Chinese Creative Woodcarving
论绝版水印木刻在中国创作木版画中的优势
14.
a lithograph produced by photographically produced plates.
用影印石版创作出的平板画。
15.
On Performance of "Blank" Space in Creation of Woodcut Art
浅析版画艺术创作中的“空白”空间表现
16.
Succession and Creation──Research on Creation and Extension of Contemporary Print;
传承与创造——当代版画艺术创作及拓展研究
17.
Look at Creation Life of Folk’s Traditional Fine Art from Festival Woodcuts in Fengxiang;
从凤翔木版年画看民间传统美术创作的生命
18.
"After 80s" Printmaking Briefly the Development of Artistic Creation Concept
简述“80后”版画艺术创作观念的发展形成