1.
The Artistic Statues in Grottoes of Fengxian Temple On the Secularity of Buddhism Statues in Tang Dynasty
奉先寺大像龛石窟造像艺术——兼论唐代佛教造像的世俗性
2.
The Birth and Explanation of Meaning System: Analyzing the Statues of Baoding Grotto at Dazu
意义系统的生成与阐释:大足宝顶石窟造像分析
3.
The Impact of Gandhara Statues on the Rock-cave Statues of China;
犍陀罗雕塑艺术对中国石窟造像的影响
4.
Examination of the Peak Buddha on Mount Lion in Wudang;
武当山太子坡狮子峰“老君岩”石窟造像考
5.
The Research on the Buddhism Grotto Statues in Northern Central Plains of the Tang Dynasty;
唐代中原北方地区佛教石窟造像艺术语言的形成研究
6.
The Taoist Grotto Statue in Sichuan Area in the Characteristic of Taoism Godliness in Song Dynasty;
从两宋时期四川地区道教石窟造像看道教神灵信仰特征
7.
Through the study of grotto statue remains in Anyue County, the article elaborated the historical changes and modelling styles of Anyue stone-carving art.
本文通过对安岳县境内石窟造像遗存的考察,阐述了安岳石刻艺术的历史变迁与造型风格。
8.
Summarizes The Research On the Buddhist Steles in Cave 133 at Maiji Mountain Grottoes
麦积山石窟第133窟造像碑研究综述
9.
Image Style and Thought Origin of Esoteric Buddhism Statues in GuangYuan Grottoes
广元石窟密教造像的图像风格与思想源流
10.
Study on Miniature Grottoes and Statues of Buddhism of the Sui and Tang Dynasties in Changzhi Region;
长治地区隋唐佛教小型石窟和摩崖造像研究
11.
Women's Hair Style and its Characteristics of Buddhist Pilgrims in Yungang Grottoes
云冈石窟供养人造像女子发式及其特征
12.
Besides the four big grottos, there are many small grottos and cliff sculptures of different styles on a minor scale throughout China.
在四大石窟以外，还有许许多多石窟和摩崖造像，各有自己的风格，只是规模略小罢了。
13.
A Newly Discovered Inscription Dated From The Second Year of Heqing(563A.D.) Of The Qi Dynasty And The Sculptures in The Shrine from The Site of Southern Xiangtang Mount Grottoes;
南响堂山石窟新发现“大齐河清二年”造像铭文及龛像
14.
The Construction Date of Cave 74 and Cave 78 at The Maiji Mountain Grottoes;
关于麦积山石窟第74、78窟的建造年代
15.
A Comparative Study of The Lay-Out of Sculptures in The Central Pillat Grotto and A Huge Image Grotto to The Brush Work of Mural at The Kucha Grottoes;
龟兹石窟中心柱窟和大像窟塑像布局与壁画风格类型的比较
16.
A New Approaching to the Relationship Between the Narrative Painting and the Main Image of Cave 275;
莫高窟第275窟故事画与主尊造像关系新探
17.
An interpretation of the representations of the mandala with Vairocana and the Eight great Bodhisattvas at Dunhuang Grottoes(Part Ⅰ)
敦煌石窟八大菩萨曼荼罗图像解说(上)
18.
It is a pity that the cave Monk Le Zun cut into the mountainside can no longer be identified today.
可惜乐尊当年造的石窟，现已无法确认。