1.
An Aesthetic Analysis and Cultural View of "Endow Old with New" of Wu Changshuo s Creative Theory of Painting;
吴昌硕“与古为新”绘画创作论的美学解读与文化观照
2.
On Tibetan Tangka Painting as a Kind of Conceptual Art;
论作为观念艺术的唐卡绘画创作特性
3.
Try to discuss appreciation in creation for art of painting;
试论鉴赏力在绘画艺术创作中的作用
4.
On the unity of Han Xi Zai′s Picture of Night Feast and Diversiforms of Works of Art;
论《韩熙载夜宴图》的绘画创作艺术
5.
ABOUT MORALE AND PSYCHOLOGY IN ARTISTIC CREATION AND APPRECIATION OF PAINTING;
试论绘画艺术创作及欣赏的情绪心理
6.
On the Painting Materials in the Use and Development in Contemporary Oil Painting;
论绘画材料在当代油画创作中的运用和拓展
7.
Talk of Painting and Artistic Creation in the Language of Emotional Expression and the Screen
论绘画艺术创作中的情感表达与画面语言
8.
Restrictions Bring about Creativity;
限制性产生创造性——绘画基础理论与美术创作
9.
Influence of Thoughts Of Zhuangzi on Traditional Chinese Painting Production Theory
庄子思想对我国古代绘画创作理论之影响
10.
Study on the Relationship between Painting and Balzac s View of Literature and Art and His Novel Creation;
论绘画与巴尔扎克的文艺观及小说创作
11.
A Theoretical Approach to Painting Creation;
绘画创作中的理性思考——试论构图之辨证
12.
Painting Form and Soul of Modern Metropolis--A Review of New Emotion School s Composition of Novels;
为现代都市绘态画魂——再论“新感觉派”的小说创作
13.
The Enlightenment That the Concept of "Dao" and "Technique" in Zhuang-zi s Thought to the Painting Creation and Education;
庄子“道”“技”观对绘画创作和绘画教育的启示
14.
Brief Analysis of Drawing Creation Conception;
“心迹”绘画的探索与研究——浅析绘画创作心态
15.
From“the Painting of the Image”to“the Image of the Painting” --On the Creation of the “Instrument Serial”;
“形象的绘画”到“绘画的形象”——从“乐器系列”创作谈起
16.
The Thinking of Oil Painting's Scenery Creation out of the Chinese and Western Drawings
从中西绘画比较中思考油画风景创作
17.
To make(a picture) with paints.
绘画用油漆作（画）
18.
Origin for Imitation as A Way of Creation;
仿作为中国古代绘画创作方式的成因