1.
From Phoenix to Mist-The Research about Pattern Alteration of Lacquer Wears during Warring States and Han Dynasty Period;
论从凤鸟纹到云气纹：战国两汉漆器纹饰的流变
2.
Hammer finish and orange-peel finish are principally used for decoration of metallic body such as safe, filing cabinet, computer cabinet and family appliance.
锤纹漆和桔纹漆主要用于保险柜、件柜、脑机箱及家用电器等金属外壳的表面装饰。
3.
Lacquerware was, however, usually coated black and decorated with red designs or coated red and decorated with black designs.
漆器一般髹朱饰黑，或髹黑饰朱。
4.
The reading of the decorating patterns on Westem Han lacquered wooden plate unearthed in Mianyang
绵阳出土西汉木胎漆盘纹饰识读及其重要意义
5.
A study of a classic work on lacquer in ancient China;
我国古代漆器的经典著作——论《髹饰录》
6.
It widely apply to the , fitment paint ,water-wood-paint，water ink.
可广泛应用于水性装饰漆、木器漆、水性油墨等领域。
7.
Aesthetic Values of Bronze Wares in the Wu State, as Seen from Decorative Patterns of Bronze Wine Vessel with Phoenix－ shaped Inscriptions;
从青铜凤纹尊的纹饰看吴国青铜器的审美价值
8.
The Repeated Beauty of Decorative Art,The Repeated Beauty of Original Pottery Ornamentation
装饰艺术的重复之美——原始陶器纹饰的重复美
9.
The Aesthetic Features and Cultural Connotations of the Decorative Designs on the Chu Brassware;
楚铜器纹饰的审美特征及其文化内涵
10.
By the mid Western Zhou Dynasty, decorations on bronzeware had changed to ring and ripple patterns.
到了西周中期，青铜器的纹饰和样式都有所改变。饕餮纹、馗纹逐渐被环形纹、水波纹所代替。
11.
To See Two Kind Factors of Liangzhu Culture's Religion From Jadeware's Decorative Pattern
从玉器纹饰看良渚文化宗教信仰中的两类因素
12.
A Preliminary Discussion on the Power Consciousness and the Aesthetic Ideologies of Shang-Zhou Ritual Bronzes Patterns;
试论商周青铜礼器纹饰中权力与审美意志
13.
The Bronze Pattern Studied and It Give the Sidelights of the Modern Graphics;
青铜器纹饰探究与其对现代设计的启示
14.
Discuss Northern Bronze Animal Veins Decorative Character and Northern National Aesthetic Culture;
论北方系青铜器动物纹饰与北方民族审美文化
15.
A Research of Shuilugongzhanwenshi of Zhanguo Period Bronze Vessels;
对战国时期青铜器水陆攻战纹饰的研究
16.
A Tentative Analysis on the Decoration Features of Fish-pattern on Ceramics in the Dynasties of Xia,Shang,Zhou,Qin and Han;
夏商周秦汉时期陶瓷器上鱼纹装饰的特征
17.
VIOLENT AND ROUGH BEAUTY - ARTISTIC CHARM OF ANIMAL DECORATIVE PATTERNS IN BRONZE WARE IN GRASSLAND;
狂野之美——草原青铜器动物纹饰的艺术魅力
18.
Standardized Representational Devices of The Mask of Bronzes And Human to Animal Metamorphosis in Shang;
商代青铜器纹饰的象征意义与人兽变形