1.
There is always a kind of value judgment hiding behind any subjective action, and the publication of opus is no exception.
任何主观行为背后都隐藏着一种价值判断，戏曲刊刻印行自然也不例外。
2.
The Research on "Three Selected Volumes of South FuJian Opera and Music Published in the Ming Dynasty" Rhyme;
《明刊闽南戏曲弦管选本三种》用韵研究
3.
New Insights into the Play “Zhou Zhuangzi Tan Kulou” Published In Ming Dynasty;
明刊戏曲散出《周庄子叹骷骸》新探
4.
A Pragmatic Study on Deliberate Misinterpretation in English Drama Dialogues;
英语戏剧对白中刻意曲解的语用研究
5.
Reproduction and Representation: the Drama Sculpture of Dongyang Woodcarving;
再现与表现:东阳木雕之戏曲雕刻研究
6.
On the Progress in the Achievement of Ming-dynasty Plays through Comparison between Yuan-dynasty and Ming-dynasty Block -printed Edition Yuan Poetic Dramas;
从元杂剧元明刊本之比较论明代戏曲的进步
7.
The two collections of drama, Ci Lin Yi Zhi and Ba Neng Zou Jin, were not published and distributed in the first year of Wanli.
《词林一枝》与《八能奏锦》这两部戏曲选集，并非刊行于万历元年。
8.
Funetions of Opera Literature on Opera Studies Based on the Analysis of Qu Lv
从《曲律》看戏曲文献对戏曲研究的功用
9.
Stylized Movement in the Traditional Chinese Opera and the Personality of the Character--On the Performing Art of the Traditional Chinese Opera;
戏曲程式与人物性格——戏曲表演艺术谈
10.
The Development of Opera Music during the Song-Yuan period and Ming-Qing period;
宋元戏曲音乐与明清戏曲音乐之发展
11.
Models for "Dramatization"and"Modernization"in the Current Dramatic Works;
当代戏曲“戏曲化”与“现代化”的范例
12.
China Drama's Development Prospect from Drama Development History
从戏曲发展史看中国戏曲的发展前景
13.
The Research on the Development of Play-within-a-play in Chinese Classical Dramas;
中国古典戏曲中“戏中戏”的发展研究
14.
Documentation Value of Opera Scripts and "Script-based Approach to Opera Studies"
戏曲剧本的文献价值与“以戏证戏”
15.
Xiju" and "Xiqu"--Reading Commentary about Wang Guo-wei s Works;
也说“戏剧”与“戏曲”——读王国维戏曲论著札记
16.
Reconsiderations of the Features of Traditional Opera;
戏曲特征再认识——质疑《中国大百科全书·戏曲·曲艺》卷概论《中国戏曲》
17.
Opera, Drama and Traditional Chinese Drama-Second Analysis of Wang Guowei s “Opera” Theory;
戏曲·戏剧·中国民族戏剧——王国维“戏曲”理论的再解读
18.
The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics;
戏曲艺术精神与戏曲现代化——张庚戏曲美学思想初探