1.
On the Historical Layers and Artistic Features of Chinese Opera Phonology;
试论中国戏曲音韵的历史层次和艺术问题
2.
The Development of Opera Music during the Song-Yuan period and Ming-Qing period;
宋元戏曲音乐与明清戏曲音乐之发展
3.
The Research on "Three Selected Volumes of South FuJian Opera and Music Published in the Ming Dynasty" Rhyme;
《明刊闽南戏曲弦管选本三种》用韵研究
4.
A Study of the Language Features of Chinese Opera Librettos in Respects of Rhythms and Rhymes;
从节奏和押韵看戏曲唱词的语言特点
5.
A Study of the Rhyming of Folk Nanxi "Huan Men Zi Di Cuo Li Shen;
民间南戏《宦门子弟错立身》曲韵考
6.
the Thirteen Rhymes are the established rhymes in operas and other folk art forms.
十三辙是戏曲、曲艺约定俗成要遵照的韵脚辙口。
7.
musical, dramatic, quyi and choreographic works;
音乐、戏剧、曲艺、舞蹈作品；
8.
Syllables and Rhyme of Standard Chinese and theoretical construction of traditional opera in late Ming Dynasty;
《中原音韵》与晚明曲学的理论建构
9.
the relationship of《zhong yuan yin yun》and 《qu Iv》;
《中原音韵》与《曲律》声律体制异同之辨析
10.
Rhythm was descriBed By Schopenhauer as melody deprived of its pitch
韵律被叔本华描述为丧失了音调的乐曲
11.
A Study on the Relationship between the Gong and Drum Spot and the Performance in Puxian Opera;
莆仙戏音乐中锣鼓点与戏曲表演关系之探究
12.
(3) musical, dramatic, quyi and choreographic works;
（三）音乐、戏剧、曲艺、舞蹈作品；
13.
Liu Fang enters the world of the guzheng so very profoundly as to play her music as if emerging from the earth itself."
刘芳的音乐的确是戏曲灵魂.
14.
Study on Folk Essentials of the Local Opera s Music Creation in Ming Dynasty;
明代戏曲音乐创作之民间性本质研究
15.
On the Features of Melody and Mode in Xibe Drama Music;
论锡伯族戏曲音乐的旋律及调式特征
16.
Reverted-Order Words in Tang Xian-zu s Plays;
《汤显祖戏曲集》字序对换的双音词初探
17.
Drama Element in Chinese Piano Music Utilization
戏曲音乐元素在中国钢琴音乐中的运用
18.
On Teaching of Opera Music in Junior Middele School;
让中国戏曲走近学生——初中段戏曲音乐的教学与实践