1.
There are a great many young ladies in the world whom you wouldn't half as well as the beaming hostess of the Blue Dragon
世界上许许多多闺阁千金都绝对没有青龙店满脸堆笑的女主人一半那么招人喜欢。
2.
Comparison on Mother Images in “Pavilion of Women” and “Narration about Jinsuo”;
《闺阁记》《金锁记》中母亲形象之比较
3.
On the Cultural Meaning of Pearl S Buck s and Eileen Chang s Female Consciousness--A Study Based on Gui Ge Ji and Jin Suo;
赛珍珠、张爱玲女性意识的文化内涵探析——以《闺阁记》、《金锁记》为例
4.
Exploring Pearl S.Buck s and Eileen Chang s Female Consciousness from the Time Environment;
时代氛围中赛珍珠和张爱玲的女性意识——以《闺阁记》《金锁记》为例
5.
Moving toward Society from "Guige"─--Discussing the Creation Change of "Guige" Writers During the War of Resistance Against Japan;
由“闺阁”走向社会──试论抗战期间“闺阁”作家创作的转变
6.
We're never told the details of their intimate family life or daily meals.
"至家庭闺阁中一饮一食,总未述记."
7.
I could not bear to let you be condemned by the world for the greater glory of women.
"吾不忍君独为我闺阁增光,见弃于世道"
8.
A Study on the Acceptance of "Peony Pavilion" by Boudoir in Ming & Qing Dynasty;
明清江南闺阁女性《牡丹亭》接受研究
9.
Intelligent Person in Harem--On The Peony Pavilion and the Female Readers in Ming-Qing Dynasties;
“闺阁中多有解人”——《牡丹亭》与明清女读者
10.
The Bitterness and Dream of Confined Maidens Cinderella and the Third Miss;
灰姑娘与三姑娘闺阁中的无奈和梦想
11.
The Book in Boudoir-Jiangnan Women Cultural Education and Social Lives;
闺阁书香—明代江南妇女的文化教育与社会生活
12.
Female Charaters in Li Qingzhao′s “Ci”;
面影与心魂——论李清照词中的闺阁女性形象
13.
In the past in old China, women were secluded from public view in the harem.
过去在旧中国，妇女不能抛头露面，深居于闺阁之中。
14.
I could not believe that a girl could bravely step forward at such a crucial moment.
怎么也不相信一个闺阁女子在关键时刻能挺身而出。
15.
"Because it was the first month when the schools were on holiday and needlework was taboo for the womenfolk, everyone was free. "
"彼时正月内,学房中放年学,闺阁中忌针,却都是闲时."
16.
"Femininity" and "Masculinity"--Observation of the Independent Value of Women Literature from a Comparison Between Zhu Shu-zhen and Li Qing-zhao;
“闺阁气”与“丈夫气”——从朱淑真、李清照的比较看女性文学的独立价值
17.
The Nobility in Backyard and the Wildness in Nature--Decoding Two Groups of Female Painters of Ming Dynasty;
庭院中的闲花与深谷中的幽兰——解读明清闺阁画家与青楼画家
18.
On Qiujin s Works and Women Consciousness In Last Period of Qing Dynasty;
从婉约闺阁到鉴侠革命:秋瑾诗文与早期女性自觉