1.
Xu-Fu zhuo s Theories of Traditional Opera and His Practices in His Literary and Artistic Creation;
徐复祚的戏曲理论及其在创作中的体现
2.
On Xu Fuzuo s Thoughts of Opera Theory--Take A Text of Money as a Case Study;
徐复祚曲论思想琐谈——以《一文钱》为例
3.
Aesthetic Ideal of Traditional Operas On Emphasizing Inherent Qualities--Part of research in Xu Wei’s aesthetic ideology in traditional opera;
“每右本色”的戏曲审美理想——徐渭戏曲美学思想研究之一
4.
On Preface and Postscript in Yuan Dynasty Opera for Building Opera Theory
论元代戏曲论著序跋在戏曲理论建构中的功用
5.
Opera, Drama and Traditional Chinese Drama-Second Analysis of Wang Guowei s “Opera” Theory;
戏曲·戏剧·中国民族戏剧——王国维“戏曲”理论的再解读
6.
ON SHEN JING S AND TANG XIAN-ZU S OPERA WRITING THEORIES AND THEIR INFLUENCE;
略论沈、汤的戏曲创作理论及其影响
7.
The "originally simplicity approach"in theories about Chinese classical opera;
中国古典戏曲理论中的“当行本色”论
8.
The subject of Modern life in drama art view--Qi Rushan s reform theory of drama art;
戏曲艺术视域中的现代生活题材——兼论齐如山戏曲艺术改革理论
9.
The reclaimer of Chinese traditional opera research in 20th century;
20世纪中国古代戏曲研究的拓荒者——黄摩西戏曲理论批评简论
10.
LI Yu was one famous drama theoretician of Chinese ancient.
李渔是中国古代著名的戏曲理论家。
11.
Family theatrical troupe and Lee Yu s opera theory;
李渔家班与《闲情偶寄》的戏曲理论
12.
On Narrative Theory of Chinese Drama in Xian Qing Ou Ji;
浅析《闲情偶寄》中的戏曲叙事理论
13.
Success of "Peach Blossom Fan" from Li Yu s Dramatic Theory;
从李渔戏曲理论看《桃花扇》的成功
14.
The Characteristics of Jin Sheng-tan s Acceptance Theory of the Commentary on the Novels and Drama;
金圣叹小说戏曲接受理论的基本特色
15.
Emphasizing the Unique Ideas of Time and Space in Traditional Chinese Opera -Following A Jia s Aesthetic Theories and Ideas;
重视戏曲的独特的时空观——学习阿甲的戏曲理论和美学思想
16.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
17.
On Interpretation and Acceptation of Feminine s Dramatic Creation Theories in the Ming and Qing Dynasties--From a Perspective of the Preface and the Postscript to the Drama;
明清女性戏曲创作理论的诠释与接受——以古代戏曲序跋为例
18.
On the Philosophical Idea of“Taking the Human Factor as the Basics” in China’s Ancient Traditional and Local Operas;
论古代戏曲导演理论“以人为本”的哲学理念