1.
"The Presence of Author"Can Not Be Found in the Narrative in Metafiction;
论元小说叙事中“作者出面”的不成立
2.
Illustrating of Novel Characters in the Vision of Multi-Appreciation Theory;
多元鉴赏理论视野下的小说人物教学
3.
A Study of Diversified Initiation Theme of Harry Potter Series;
论《哈利·波特》系列小说的多元成长主题
4.
On the Performance of Form Techniques in Post-Modernism Novels;
论后现代主义元小说的形式技巧表演
5.
Statistics and Analysis of Chinese Modern Research Papers about the Novels of Yuan Dynasty;
当代中国元小说研究论文统计与分析
6.
The Creative Mode of Integrating Cipoems and Prose in the Huaben Novels of the Song and Yuan Dynasties;
论宋元话本小说词文结合的创作模式
7.
On Novel Transiation in the Late Qing Dynasty and the Early Republic of China (1898-1919): A Polysystem Perspective;
论多元系统理论观照下的清末民初小说翻译
8.
Plural Perspectives of Life and Multiple Functions of Ficitional Art: On the Structure of FANG Fang s Novels;
多元人生视点与小说艺术的多功能——方方小说结构论析
9.
Necessities and Appetizers: Elements of Detective Fiction in Graham Greene's Fiction
“必需品”与“开胃酒”：论格雷厄姆·格林小说中的侦探小说元素
10.
Histrionic Personality in Postmodern Metafiction--By Taking John Barth's The End of The Road as an Example
试论后现代元小说中表演型人格——以约翰·巴思的小说《路的尽头》为例
11.
On the Metafictionality of Vladimir Nabokov's American Novels;
论弗拉基米尔·纳博科夫美国小说的元虚构性质
12.
On the Elements of Horror in Edgar A.Poe s Short Stories;
论埃德加·A·坡惊悚短篇小说中恐怖元素的构成
13.
On Pluralism and Complementarity of Stylistics Analysis of English and American Fictions;
论英美小说文体分析中的多元性与互补性
14.
On Types and Art Features of Children s Images in Novels During the Song and the Yuan Dynasty;
论宋元小说中的儿童形象类型及艺术特征
15.
Going Between Reality and Fictionality--Metafiction in The Black Prince;
真实与虚构之间——论《黑王子》的元小说艺术
16.
The Descriptions of the Imperial Capitals in Song Yuan Novel Story-telling Scripts and ir their Narrative Significance;
论宋元小说话本中的帝都描写及其叙事意义
17.
The Diversification of Chinese Modernistic Novels in 1980 s;
论20世纪80年代中国现代主义小说的多元流向
18.
On the draft of Journey to the West by a Taoist priest in the Yuan Dynasty;
论元代全真道士史志经编创的小说《西游记》初稿