1.
Chinese Contemporary Color Painting Materials Reflections on the use of
中国当代重彩画运用综合材料引发的思考
2.
Modern Decorative Paintings-materials and Techniques of Modern Heavy-color Paintings;
现代装饰画-现代重彩画的材料及技法
3.
In the Tang Dynasty, the dominant painting style was gongbi zhongcai, which was highly realistic with exact delineation and enriched colors.
狂草产生于唐代，当时的绘画基本上属于工笔重彩的表现形式，
4.
On the spread and development of modern water color painting
浅谈当代水彩画在中国的传播与发展
5.
The Value of Traditional Imago in the Watercolour Art at the Present Age;
传统“意象”在当代水彩画艺术中的价值
6.
An Aralysis on the Diversification Development of Chinese Contemporary Watercolor
中国当代水彩画多元化发展趋向辨析
7.
Fusion and Boundary--A Restrited View of Chinese Modern Watercolor from the Paintings Language;
融合与边界——从绘画语言管窥中国当代水彩画
8.
Application of Mineral Dye in Modern Chinese Ink Painting.;
矿物颜料在现代中国重彩画中的运用
9.
Discussing from "Different Kinds with Different Colors"-- Interpreting the Development of Color Sense in Modern Landscape Painting with Strong Colors;
从“随类赋彩”谈起——解读现代重彩山水画色彩观念的发展
10.
On Contemporary Chinese Art of Diversification Trend;
浅淡中国当代水彩画发展的多元化倾向
11.
Talk the Chinese Contemporary Water Color Artistic from the Global Category and Education;
从全球性范畴谈中国当代水彩画创作与教育
12.
Taste Infinite,Wildness Preserved--An Interpretation of a Contemporary Water-color Artist Long Hu's Works
趣味无限 野性犹存——当代水彩画家龙虎作品品读
13.
Brief Analysis the Mondern Expression's Form of Chinese Heavy Colored Painting's Concept of Colors
浅析中国重彩画设色理念的现代表现形式
14.
Girtim,British artist,created watercolour with a modern meaning.
具有现代意义的水彩画 ,始点当首推英国画家格尔丁。
15.
Re-survey the Influence of Comprehensive Materials and Techniques upon China Modern Heavy Colored Drawings
重新审视综合材料和技法对中国现代重彩画的影响
16.
Going into the truth and disclosing the central intention of art--dwelling on Chinese modern art on the base ofChinese watercolor art of SUN Zheng-xue;
守拙觅真 以艺进道——从孙政学先生的水彩画看中国当代艺术
17.
When I learn a picture at the outset, be first brief pen, again colour (watercolour follows paint) .
我当初学画的时候是先简笔，再色彩（水彩跟油彩）。
18.
Comment On Musicology in Contemporary China;
学科发展史的浓墨重彩——《中国当代音乐学》评述