1.
New Evolving Faces Of Contemporary Novel-Creating Concept In Chinese Mainland;
当代中国大陆小说创作观念的新衍变
2.
From Physical Self to Social Self Leap on Yu Hua s of Creation Concept;
从“小我”到“大我”——余华小说创作观念的飞跃
3.
The Concept of “Novel" in Han Dynasty and Its Influence on Novel Writing;
汉代的“小说”观念及其对后世小说创作的影响
4.
Wang Anyi s Views about "Woman·City" in Her Noverties;
王安忆小说创作中的“女性·城市”观
5.
On the Outer Force and People s Attitude Toward StoryTelling Novels;
论话本小说创作的“外役力”和“行世观”
6.
On the Humanity and Femininity in Lawrence’s and ZHANG Ai-ling’s Novels;
劳伦斯与张爱玲小说创作中的人性观及女性观
7.
History and Historical Narrative in Wang Xiao-bo's Novels
论王小波小说创作的历史观和历史叙事
8.
Study on the Relationship between Painting and Balzac s View of Literature and Art and His Novel Creation;
论绘画与巴尔扎克的文艺观及小说创作
9.
The Ordinary Life in the Eyes of Common Citizens --An approach to Chili s Novelistic Creation;
市民眼光观照下的世俗人生——池莉小说创作论
10.
Discussion on the ideological sources of Lawrence s novels;
论劳伦斯小说艺术创作观念的思想渊源
11.
The Spectator Sees Most Clearly--On the Perspective of Henry James Fiction Writing;
旁观者清——论亨利·詹姆斯的小说创作视角
12.
On the War s Exploration of Revolutionary Historical Fiction s Writing in the 1980s and 1990s;
20世纪后半期革命历史小说创作的战争观
13.
Be an Objective J udge in the Aesthetic Appreciation --a second study of the creation views of the new fable novelists;
在审美中做裁判人——二论新寓言小说家的创作观
14.
The aesthetic standards fluidity of modern novel on native soil and characters-creating;
现代乡土小说创作审美观念流变与形象塑造
15.
The Relationship between Fei Ming s View of Essay and His Later Novel Creation;
论废名的文章观和后期小说创作之关系
16.
The Three Realms of Novel Writing--On Jin Shengtan s Writing Theory;
小说创作的“三境界说”——论金圣叹的小说创作理论
17.
On Feature of Lu Ling s Fictions from the Model of Lu Xun s;
从鲁迅小说创作范式看路翎小说创作特征
18.
Modern Consciousness and Novel Creation--On Ding Ling s novel creation;
现代意识与小说创作(上)——丁玲小说创作论