1.
Discussions on the Making of Chinese Speech Drama during late 1950s and Early 1960s;
1950—1960年代的“话剧民族化”论争
2.
A Tentative Study of Li Jianwu s Reform on Dramas:Viewing through the Legendary Drama Fan Ma Ji;
传奇剧《贩马记》:南戏与话剧融合的果实——试论李健吾的话剧民族化改革
3.
Melioration of Drama in Late Qing Dynasty and the Nationalization of the Stage Art of the Early Modern Drama;
晚清戏曲改良与早期话剧舞台艺术的民族化
4.
The Integration of “Life-like Description” and “Meaning Description” in Chinese and Western Drama--On the Nationalization of the Modern Drama;
中西戏剧“写实”与“写意”的融合——论《风雪夜归人》兼看话剧的民族化进程
5.
A Discussion of Images of Deified Heroes in Tragic Mythology in China;
神性英雄群像——谈中国悲剧的神话对中华民族文化精神的影响
6.
"He sticks to the principle that big playhouses should present mainstream plays, which amounts to the adherence to the Beijing People's Art Theater's heirloom, the theater's national orientation and realism."
他一直坚持大剧场话剧就要排主流剧,就是要坚持北京人艺的传家法宝:戏剧的民族化和现实主义。
7.
All ethnic dance troupes theatricalize the dance of the folk(Robert J.Pierce)
所有的少数民族舞蹈剧团使得民族舞蹈戏剧化(罗伯特J.皮尔斯)
8.
The Statement of the Nationalization Process of the Chinese Opera Creation in 20th Century;
论20世纪中国歌剧创作的民族化进程
9.
A National Cultural Psychoanalysis of the Prosperity of Historical Plays in China
电视历史剧勃兴的民族文化心理分析
10.
Healthy Trends of the Nation,Glory of the Human Nature--My Comments onWUKA,a Full-length Drama,and Pan Maojin s Drama Writing;
民族之正气 人性之光辉——评大型话剧《乌卡》兼述潘茂金的戏剧创作
11.
Their background was undoubtedly helpful in the work of creating new ballets with Chinese characteristics.
他(她)们的民族文化背景，无疑有助于芭蕾舞剧民族化的探索。
12.
On the Combination of Nationalization and Diversification of Chinese Opera Creation;
论中国歌剧创作民族化与多元化的结合
13.
Reinterpretation of Meng Li-jun--Comments on the Recreative and National Tendency of the Historical Dramas;
重读《孟丽君》——兼谈史剧的娱乐化与民族化倾向
14.
Jokes perpetuate various national stereotypes.
笑话固化了对各民族的公式化看法。
15.
A Study on the Acceptance to O Neill s of Cao Yu s Family Drama and Its Nationalization;
论曹禺家庭戏剧对奥尼尔的接受与民族化
16.
Discuss the Development of New Chinese Opera The White-haired Lady and It s Pursuit of the Nationalization Style;
论歌剧《白毛女》的创生及其民族化风格的追求
17.
THE TRAGEDY OF YAN JIANSHENG AND NATIONAL CULTURE PSYCHOLOGY: Discussion on Calling Back Yan Jiansheng s spirit;
严监生式悲剧与民族文化心理——论为严监生招魂
18.
ON THE INFLUENCE OF THE MONGOLIAN NATIONALITY AND ITS CULTURE ON THE RISE AND FALL OF THE YUAN DRAMA;
论蒙古民族及其文化对元杂剧繁荣兴盛之影响