1.
Reatise on Aesthetic Features and Cultural Connotations of Jia Zhangke's Film
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论贾樟柯电影的美学特征与文化内涵
2.
Civilian s "Epic": Study of the Narrative Art of Jia Zhangke s Films;
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小人物的“史诗”:贾樟柯电影的叙事艺术研究
3.
The Burden of Reality--On the Themes of JIA Zhang-ke s movies;
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存在的负担——贾樟柯电影剧作的主题分析
4.
Lonely Seekers--Tactics of Loneliness in the Films Directed by JIA Zhangke
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孤独的寻找者——论贾樟柯电影中的孤独策略
5.
From" the Edge" to"the End" Comments On the Fate of the Characters in the Film of Director JIA Zhang-ke
从“边缘”到“末路”——论贾樟柯电影中的人物命运
6.
Dilemmatic Choice of China s Film--The Comparative Study of Zhang Yimou s Films and Jia Zhangke s Films;
当代中国电影的两难选择——张艺谋和贾樟柯电影创作的比较研究
7.
Jia Zhang-ke Films on the Cultural Landscape of Small and Medium-sized Cities and Towns to Build the Image-- To Trilogy home as an example
论贾樟柯电影中小城镇文化景观的影像建构——以《故乡三部曲》为例
8.
Life Is Elapsing--About the Narrative Aesthetics of the Films by Jia Zhang-ke;
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生命,在不知不觉中流失——贾樟柯电影叙事美学识小
9.
Caught Between the Local and the Global: Anxiety and Uncertainty in Jia Zhangke s Films;
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本土与全球的纠葛:贾樟柯电影中的焦虑与不确定性
10.
The Subject across Century:"Leaving" and "Returning"--Modernity in Films by Jia Zhang-ke
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跨越世纪的主题:“出走”与“回归”——贾樟柯电影的“现代性”问题
11.
A Distinctive Narrative--An narrative Analysis of Jia Zhangke's Underground Films
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另类叙事——贾樟柯地下电影的叙事分析
12.
Movies in the Cultural Context of the "World Image"--JIA Zhang-ke s Movie The World as an Example;
“世界图像”文化语境中的电影——以贾樟柯的影片《世界》为例
13.
Literary Narrative Study of Chinese Films on Social Floaters--Take Jia Zhangke s "Hometown Trilogy" as the Example;
华语游民电影的文学叙事研究——以贾樟柯“故乡三部曲”为例
14.
From the "Post Yellow Land" to the "Post Jia Zhang-ko"--A Probe into the Aesthetics and Industrial Strategy of the Sixth Generation of Films;
从“后《黄土地》”到“后贾樟柯”时代——第六代电影美学与产业发展略论
15.
Comments on Jia Zhangke's Story Film during the Last 10 Years
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贾樟柯十年故事电影述评:平民历史的现代空间型叙事
16.
The research on the Violence film s social influence by the analysis of the plots migrating--With Jia Zhangke two group scenes as the example;
由情节迁徙谈暴力电影发生社会影响的一种方式——以贾樟柯作品的两组镜头为例
17.
From Nobody to Being Publicly Accepted--On Movie Director Jia Zhangke;
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从地下走出来的导演——讲解贾樟柯
18.
Jia Zhangke’s Good Men along the Three Gorges Interpreted;
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底层镜像的诗意呈现——解读贾樟柯的《三峡好人》