1.
Spirit of Painting and Creativity;
笔墨精神和创新精神—论梁楷的绘画艺术及其启示
2.
A Dynamic Perspective of Evolution of Chinese Painting;
创造的破坏与失落的无奈——关于当代中国画笔墨精神的反思
3.
Spirits in the Moving of Writing Brush──On Mr. Hua Qimin s Stroke Language of the Figure Painting;
笔歌墨舞见精神——论华其敏先生人物画的笔墨语言
4.
See mark that spirit trickle of people indistinctly through "BI MO" only, which can seem limpid and transparent.
只有透过笔墨隐隐看到人的精神流淌的痕迹,笔墨才会显得清澈透明。
5.
Two Best Works of Traditional Chinese Painting by Shi Lu in 1950
以形写神 笔墨有我——石鲁50年代末的二件中国画精品
6.
The Mohism is a spiritual wealth in the Chinese nation culture history.
墨家学说是中华民族文化史上一笔巨大的精神财富。
7.
Painting Connotation and Time Spirit--On the valuation of art history and time meaning of the"Four Wangs"in the Qing Dynasty
笔墨内涵与时代精神——论清“四王”绘画的美术史价值和时代意义
8.
Recording Real Historical Events with Words and Inner Resentment between Lines--on Integrating Real Records with Expressing Resentment in Historical Records;
楮墨实录书史事 笔锋托愤抒胸臆——《史记》实录精神与托愤精神的二重组合
9.
He was good at using the dry brush and those strokes that utilize the side of the brush.
他善用侧锋淡墨，干笔皴擦，作品笔墨精粹，意境幽远。
10.
He was a student of Shen Zhou, so he obtained a solid grounding in painting and mastered good brushstroke techniques.
他是沈周的弟子，传统功力深厚，笔墨精到。
11.
Learning from Luo Pin, he liked to use dry ink with a side brush to draw flowers and birds.
得罗聘神韵，喜用枯笔焦墨，他的花鸟画很有个性。
12.
Humanism in Feng Jicai s Paintings;
人文精神,写意水墨——读冯骥才的《心灵的水墨》、《水墨文字》
13.
A Oriental Path-The Experimental Spirit of Three Generations
东方之路——三代人的水墨实验精神
14.
The Spiritual Influence of the Mohist Ideology on the "Chivalry" in China
墨家思想对中国“侠义”精神的影响
15.
"THE WRITING OF CHUNQIU"AND"THE SPIRIT OF TAISHIGONG"IN HISTORICAL RECORDS;
《史记》中“春秋笔法”与“史笔精神”的矛盾统一与超越
16.
the pen is mightier than the sword(saying)
(谚)笔墨胜刀剑.
17.
In looking at an old master or reading an ancient author, we are but watching the flow of his vital spirit.
书法家精神欠佳，则笔不随心；
18.
He was upright, hearty, and robust.
他身材笔直，精神饱满，体魄壮