1.
Some Discussion on the Construction of Nationality of Contemporary Chinese Oil-painting;
关于当代中国油画民族性建构的思考
2.
On Creativeness of the Course of Oil Painting from Life at Ethnic Universities
试论民族高校油画课堂写生的创作性
3.
Art of Portrait of Minority Oil Painting in 1950-60s;
20世纪五六十年代少数民族油画肖像画艺术
4.
"Innovation After Mastery":A Case Study of Teaching of Luo Gongliu’s Oil Painting Seminar in the Current of Nationalizing Oil Painting;
“学到手再变”——油画民族化思潮中的罗工柳油画研究班教学研究
5.
The Certain Connection of National Oil Art of China and Buddhist Culture;
中国油画艺术的民族化与佛教文化的联系
6.
On the Nationalization and Localization of Chinese Oil-painting from the Perspective of Globalization;
从全球一体化看中国油画的民族化和本土化
7.
A Superficial Assay of Minorities Materials in Oil-painting Application;
少数民族题材在油画创作中的应用刍议
8.
SOME VIEWS ON THE CULTURE COMMUNICATION OF THE WEST AND THE EAST AND THE NATIONALISATION OF OIL PAINTING;
关于东西方文化交流与油画民族化的一点见解
9.
The Formation and Aesthetic Connotation of National Characteristics of Chinese Animition;
中国动画民族特性的形成及审美内涵
10.
National Style of the Ancient Chinese Mural Art;
浅析我国古代壁画艺术的民族性风格
11.
Discuss Modernization Improving and National Characteristic Problem of Chinese Painting;
谈中国画的现代化变革与民族性问题
12.
The Concern of the Human Nature-read the Farmerlabor in the Chinese Oil Painting;
人性的关怀—解读中国油画中的农民工
13.
Times and Nationality of Chinese Contemporary Painting;
对中国当代绘画的时代性与民族性的思考
14.
North National Minority Sa Full Plastic Arts to My Oil Painting Creation Enlightenment
北方少数民族萨满造型艺术对我油画创作的启示
15.
The Nation s Character in Religious Paintings;
宗教绘画中的民族性格——关于中西宗教绘画异同的思考
16.
Chinese waltz in the simple and honest style Chinese ink controlling feature of landscape painting by Huang Binhong
浑厚华滋民族性——黄宾虹山水画用墨特色
17.
On the Regional features of Multi-Nationality area in the Teaching and Practice of Water-and-Ink Landscape Sketches;
论山水画水墨写生教学中的民族区域性
18.
Regional Ethnical Style As a Local Method to Increase Modernity in Traditional Chinese Painting;
地域民族化是拓展中国画现代性的本土方式