1.
The construction of "Chinese School of Vocality" requires the background support of traditional folk culture.
建构“中国声乐学派”需要传统民族文化的背景支撑。
2.
The absorption of the organic nourishment of the Chinese traditional opera will promote the accomplishment of the exploration of singing art of "Chinese School of Vocality".
汲取中国传统戏曲艺术的有机养料，会促进“中国声乐学派”在唱法探究上的日益成熟。
3.
Breaks Through "Three Kinds Sing Law" Constructs the Chinese New Nationality Vocal Music School of Thought;
突破“三种唱法”构建中国新型民族声乐学派
4.
On China s National Vocal Music and the Naturalization of Bel Canto;
论中国民族声乐学派——兼论美声唱法的中国化问题
5.
A Brief Discussion on Features of China s Vocal Music Teaching Art;
从国外声乐教学艺术看我国声乐教学中的不足
6.
Vocal Music Education in"Zhonghua Yuepai in New Century"Times;
也谈“新世纪中华乐派”的声乐教育问题
7.
On Application and Training of "Chinese Singing Method" in the Vocal Music Teaching of Higher Teachers College;
谈“中国唱法”在高师声乐教学中的运用
8.
M · Garcia is the well-known authority on the teaching of bel canto and theory of vocal music.
加尔西亚是世界公认的美声学派声乐教学和声乐理论的权威。
9.
On the Relationship between Singing Skills and Emotion in Yuefuchuansheng
从《乐府传声》看声乐教学中的“声情并茂”
10.
Producing Music from Sound Studies of Ancient Chinese Philosophy of Music(Part five);
发于声音——《乐道——中国古典音乐哲学论稿》之五
11.
How the Ancient Vocal Music Influences the National Vocal Music in China;
中国古代声乐对中国民族声乐的影响
12.
Two extremes of ancient Chinese music ──A brief introduction to The Music Book and On So und Without Sadness;
中国古代音乐思想的两极──《乐记》、《声无哀乐论》哲学美学思想概观
13.
“Mother Tongue Permeation” in Piano Music Education of China;
中国钢琴音乐教育中的“母语渗透”——由“中国钢琴学派”想到的
14.
Vocal Language and Its Application to Vocal Teaching;
论声乐语言及其在声乐教学中的应用
15.
Initially Searches to the Chinese International Vocal Music Masterclass Teaching Method;
对中国国际声乐大师班教学方法的初探
16.
The Function of Chinese Modern Art Songs in Vocality Teaching and the Supplement to Several Songs
中国近代艺术歌曲在声乐教学中的作用
17.
About "Jin Tielin Nationality Vocal Music School of Thought" Narration and Forecast;
关于“金铁霖民族声乐学派”的评述与展望
18.
The concert began with the National anthem
音乐会在国歌声中开幕。