1.
Study on the Development of Ink Image and Figure Paintings;
水墨墨象与水墨人物画演进历程试探
2.
Exploration into Innovation of Chinese Ink Portrait Paintings Based on Researches of Su Mo;
基于宿墨研究的中国水墨人物画创新初探
3.
Talking about "Emotion" in China in the Role of Ink Figure Painting;
浅谈“情感”在中国水墨人物画中的作用
4.
Anxiety and Breakthrough--A Personal Exploration Journey of the Modern Chinese Inkpainting;
焦虑与突破——现代水墨人物画的个人探索之旅
5.
Analyzes the Chinese Portrait under Different Historic Condition Evolutionary Process;
浅析中国水墨人物画在不同语境下的演化过程
6.
Research on the Contemporary Evolvement and Modern Experience of Urban Ink-portrait Painting;
论都市水墨人物画的当代性演变及其现代经验
7.
20th Century Realism Water ink Portrait Creation and Ponder
二十世纪现实主义水墨人物画创作与思考
8.
Development and Changing Process of the Sculptuing Concept in Chinese Inkwash Portraiture
简论中国水墨人物画中造型观念的发展与变化
9.
About Urban Ink Portraits of Contemporary Cultural Backgrounds Consider
关于都市水墨人物画的当代文化背景的思考
10.
Past & Future:Figure Painting Studio in China Center Academy of Arts
回顾与前瞻——试述中央美术学院国画系水墨人物画室
11.
Out of ‘Baryankara’-- Analysis of Artistic Characteristic of Li Bo’an’s Figure Painting;
观《走出巴颜喀拉》——李伯安水墨人物画的艺术特色探析
12.
The Value Drop of the Subject Awareness in the Water-ink Figure Painting in the Second Harf of 20 Centory;
20世纪下半叶水墨人物画的主题意识与形式意识的价值落差
13.
Integration of Traditional and Modern Patterns --Interpreting ZHOU Yan-di s Painting;
传统性与现代性的图式融合——周燕弟水墨人物画解析
14.
Association of the Development of the Chinese Figure Wash Painting in the 20th Century;
形与意关系的转化——20世纪水墨人物画发展脉络联想
15.
After the foundation of the state, black figure painting of water was gone in for a big way once again , its development speed , scale , and level reached were all unprecedented.
建国后,水墨人物画再度大兴,其发展速度、规模以及所达到的水平都是空前的。
16.
Disscue of Chinese New Modern Ink and Wash Painting Kind: Not Bone Portrait Painting
试论中国现代水墨新类—没骨人物画
17.
Looks at the Contemporary Black Figure Painting of Water Creation Develops by Zhou Sicong Drawing Course
由周思聪的绘画历程看当代水墨人物创作的演变
18.
Talking the Usage of the Chinese Water-painting Line Art in "Green Flower" Porcelain and Ceramics of from the Making of Character Drawing of Wang Anshi and Tany Xianzu;
从《王安石》、《汤显祖》人物画创作实践看水墨画线性艺术在“青花”陶瓷中的运用