1.
The Influence of Records of Spirits by GAN Bao on the Novels and Dramas in later Time
干宝《搜神记》对后世小说戏曲的影响
2.
A Comparison Between Novels of the Tang Dynasty and Related Drama of Succeeding Periods;
结构的转换——唐代小说与后世戏曲相关作品的比较研究
3.
The Image of Swordswomen in the Tales of Marvels in Tang Dynasty and Its Development in the Fictions and Trad. Opera in the Following Periods;
唐代小说侠女形象在后代小说戏曲中的衍变
4.
The Summary of the Research on Relationship between Xinxueand the Drama-fiction in Ming Dynasty Since 20~(th) Century;
20 世纪以来心学与明代戏曲小说关系研究综述
5.
Prefaces of Kyokutebakin s Novels and Li Yu s View on Dramatics-novels;
曲亭马琴读本序跋与李渔戏曲小说论
6.
On Compensation psychology of the Main Character in the Traditional Opera and Vernacular Chinese Novel in the Vernacular Chinese Novels in the Late Ming Dynasty
论明代中后叶戏曲与白话小说中主人公的“补偿心理”
7.
Study on Evolution of the Legend of Niulang and Zhinv in the Ming Dynasty from the Perspective of Novels and Dramas;
从小说、戏曲看牛女传说在明代的演变
8.
Selecting in Drama Adapted from Novel Source from Qing Dynasty’Liaozhai Drama;
从清代“聊斋戏”看戏曲改编对小说素材的选择性
9.
A Special View to the "Perfect Ending" in Chinese Classic Drama Novels;
中国古典戏曲小说“大团圆现象”管窥
10.
The Significance of Folk Operas in Zhao Shuli s Novel Creation;
民间戏曲在赵树理小说创作中的意义
11.
On Evolvement of "Series of Stratagems" in the Drama Stories;
论“连环计”故事在戏曲小说中的演化
12.
A Comparative Study on the Editions Between the Ancient Novels and Operas;
中国古代小说、戏曲版本之比较研究
13.
Comparative Study on the Appreciation of Chinese Ancient Novels and Traditional Operas;
中国古代小说、戏曲鉴赏之比较研究
14.
Comparison of Aesthetic Characteristic of“Dream of the Red Chamber”TraditionalOpera and Its Novel;
《红楼梦》戏曲与小说美学特征之比较
15.
On the Contribution of Dramas and Novels in Qin Dynasty to the Development of Literary View;
试论清代戏曲、小说对文学史观的贡献
16.
The Characteristics of Jin Sheng-tan s Acceptance Theory of the Commentary on the Novels and Drama;
金圣叹小说戏曲接受理论的基本特色
17.
Li Yu's Opera Organizing Theory and His Novel Writing
李渔戏曲结构布局理论与其小说创作
18.
Because drama art at that time had not reached maturity yet, the genuine drama market has not taken shape.
这种韵散结合、讲唱或咏唱的叙事性的说唱艺术,对后世中华戏曲的诞生有着直接的影响和作用。