1.
AN ANALYSIS OF THE NARRATIVE TECHNIQUES OF MAO DUN S "DASHED HOPE" FROM VARIOUS ANGLES TAKING OMNISCIENT AS THE SUBJECT;
以全知为主体的多角度叙述——茅盾《幻灭》叙述模式析
2.
The Futuristic Cubism of Absalom, Absalom!--William Faulkner s Technique of Multiple Points of View;
《押沙龙，押沙龙！》中的未来立体主义——威廉·福克纳的多角度叙述法
3.
Multiple Points of View and The Disappearance of Narrative Authority--On As I Lay Dying from the Narrative Point of View;
多角度第一人称叙事与叙述权威的消亡——论《我弥留之际》的叙事视角
4.
On the Two Deaths of Pincher Martin: A Narrative Perspective
从叙述学角度谈品彻·马丁的二度死亡
5.
The Narrative Technique in The Great Gatsby from the Point View of Narration;
从叙述学角度看《了不起的盖茨比》的叙事艺术
6.
Looks at "Big Bath Female" from the Narration Study Angle to the Human Nature Discussion;
从叙述学角度看《大浴女》对人性的探讨
7.
Look at Features of Contemporary Pictorial Narration
从计算的角度看当代图像叙述特征——形式化操作
8.
A Discussion on English Job Application Document Writing from the Narratee;
从叙述接受者的角度谈英语求职文书的撰写
9.
On the Difference of the Narrative Perspective of the First Person and the Third Person;
论第一人称与第三人称叙述角度上的差异
10.
On Narrative Feature of Lu Xun s Divorce from the Narrative Point of View;
论鲁迅小说《离婚》叙述视角的叙述特色
11.
Artistic Perfection of Telling and Showing--Diversified Voices and Focalizations in The Bluest Eye;
讲述与展示的艺术结合——《最蓝的眼睛》的多元叙述声音和视角
12.
On Narrative Structure of The Professor s House from the View of Perspective;
从叙述视角看《教授的房子》的叙事结构
13.
Narrative Modes with HE as the Narrator;
“他”作为叙事者的两种窄视角叙述模式
14.
Telling Means More Than Talk:Faulkner s Experiment in Multi-angle Narration;
叙事比故事更重要——论威廉·福克纳对叙事角度多元化的追求
15.
Multitudinous Voices and Aesthetic Response--On the Shifting perspectives of Light in August
众声齐鸣与审美响应——论《八月之光》之多角度叙事
16.
On Feature of Lu Xun s Kong Yiji from the Narrative Point of View;
论鲁迅小说《孔乙己》叙述视角的叙述特色
17.
A Tragic Song of a Female Seeking Freedom--On the Narrative Technique of The Story of an Hour;
一曲女性自由的悲歌——兼析《一小时的故事》的多视角叙述手法
18.
A Functional Approach to Visual Representational Structures in Narrative Films;
从功能语法角度理解叙述性电影的视觉表现结构