1.
The Research on Chinese Outlook on Japan During the Late Qing Dynasty from Gao Xu's Poetries Related to Japan
从高旭的涉日诗歌看晚清中国人的日本观
2.
A Comparison Between Chinese Poem and Japanese Poem;
中国诗歌“意境”与日本诗歌“姿”的比较
3.
The influences of Chinese classical poems on Japanese poetry;
中国古典诗歌对日本古代诗歌的影响
4.
The sun and the moon is often personify in poetry.
诗歌中常把日、月拟人化。
5.
The sun and the moon be often personify In poetry
诗歌中常把日、 月拟人化
6.
the beauty of the sunset, of her singing, of poetry
日落、 她的歌喉、 诗作之美
7.
The sun and the moon are often personified in poetry.
诗歌中常把日、 月拟人化.
8.
Ho Kyun's poetic criticism involves Korean poetry as well as Chinese poetry in the Tang, Song and Ming dynasties.
这一时期的许筠诗歌批评涉及到了唐、、诗以及朝鲜历代诗歌。
9.
On the Acceptance of Ming Dynasty Poetry by Chinese Poetry in the Edo Period
日本江户汉诗对明代诗歌的接受研究
10.
An analysis of poetic significance of Yu Jian related to ordinary peoples life;
诗探索:诗或者堕落——谈于坚诗歌对日常性的关注
11.
We no longer see the old homely life from within, but from the outside.
昔日平凡的事物成为今日诗歌的主题。
12.
Aesthetic Difference Between Chinese and Japanese from the Perspective of Japanese ClassicPoems;
从日本古典诗歌看中日审美情趣差异
13.
A Pilgrim s Soul:ZHENG Min s Philosophic Brilliance of Exploratory Journey in Poetry;
朝圣者的灵魂:涉险之旅的哲性光辉——郑敏诗歌论
14.
The Usual Doctrine Verse, which rose after the trend of Obscure Poem, plays a vanguard role for its exploratory significance.
日常主义诗歌是朦胧诗浪潮后兴起的具有探索意义的先锋诗歌。
15.
Aesthetic Features and Prosody Construction of Modern Chinese Poetry--Taking Collection of SHEN Qi s Theories on Poetry as A Sample;
重涉典律与现代汉语诗歌的本体建设——从《沈奇诗学论集》谈起
16.
"<a Psalm. a Song for the Sabbath.> It is a good thing to give praise to the Lord, and to make melody to your name, O Most High;"
(安息日的诗歌。)称谢耶和华，歌颂你至高者的名。
17.
The Third Stage of Poetry Movement and the Routine Inclination of the Poetry;
论第三代诗歌运动及其诗的日常化倾向
18.
There Weren’t Poets of Three Generations in the World--Introduces the Poems Creating of Ding Ri-chang’s Three Generations;
三世诗家世所无——丁日昌三世诗歌创作考