1.
Conventional theme" and" conventional terms" are the main art in the folk love songs of Xiangxi.
套路”和“套语”是湘西情歌主要的构思艺术。
2.
Ingeniousness and Vividness--The Art of Conception in the Folk Love Songs of Xiangxi;
精巧奇异,生动活泼——湘西情歌的构思艺术
3.
Elegiac Feeling and Elegiac Form--On Xiangxi novels Lyric Art;
挽歌情怀和挽歌形式——论沈从文湘西小说的抒情艺术
4.
The Content and Language Features of Love Song of Tujia Minority in the West of Hu′nan;
以湘西土家情歌为例谈民间文学的语言特色
5.
Song of Lament for Xiang Ling--On the Real Object of Bai Juyi s Lyrical "Song of Lament;
长恨歌哭为湘灵——白居易《长恨歌》抒情客体论
6.
On the Expression Power of the Modal Particle in Xiangxi Folk Songs;
从湘西民歌看衬词在音乐中的表现性
7.
Study Xiangxi folk song is the main way to study the Xiangxi culture and Xiangxi culture is the real fossil for people to study the ancient chu culture.
研究湘西民歌是研究湘西文化的主要途径,湘西文化是研究古代楚文化的活化石。
8.
Purity" s Defect: The Emotional Standpoint and the Literary Pursuit in the Poetry of ZhuXiang;
“纯粹”之缺：朱湘诗歌的情性立场与文学追求
9.
"The World of Western Hunan" in Shencongwen s Works: A Melancholy Pastoral;
沈从文的“湘西世界”：一曲夹杂哀调的牧歌
10.
A Survey on Characteristics of Miao Ethnic Group s and Tujia Ethnic Group s Folksong in Baojing County of Western Hunan;
湘西保靖县苗族、土家族民歌族性特征调查研究
11.
Style and Music Features about Folk Songs of the Huayao People in the Huxing-Mountain of the West-South of Xiang;
湘西南虎形山花瑶民歌的类型及音乐风格
12.
Melancholy Pastoral--Views on the misery consciousness in the fictions of "Xiang Xi" by SHENG Cong-wen;
忧郁的牧歌——试论沈从文湘西小说中的忧患意识
13.
“Only Folk Songs,Without Matchmakers” --The Loving Way of Xiangxi minority nationality;
“只用山歌不用媒”——湘西少数民族恋爱方式
14.
Types of Xiangxi Folk Songs Expressed in Shen Congwen′s Works;
论沈从文作品中表现的湘西民歌体裁形式
15.
On the Xiangxi Novels and the Complex of Arcadia of Mr. Shen Congwen
论沈从文的“湘西”小说与“桃源”情结
16.
Analysis on Epidemic Situation of HIV/AIDS in Xiangxi Autonomous Prefecture from 1995 to 2008
湘西自治州1995-2008年HIV/AIDS疫情分析
17.
LIU Hong:His Affections to West Hu nan and His Dreams-- Portrait of Newly-appointed Board Chairman-LIU Hong;
最忆湘西情与梦 率真至诚是刘虹——为“湘酒鬼”新任董事长刘虹写真
18.
REVERSE──A NEWLY RECOGNIZED RHETORIC DEVICE IN TO THE LORD OF RIVERXIANG ANDTO THE LADY OF RIVER XIANG AND THE REVERSED BALLAD BALLAD IN HUNAN;
《九歌》“二湘”倒反辞与湖湘民间颠倒歌