1.
On the Image of Heretical Intellectuals in the Novels by Wang Shuo;
王朔小说中“另类”知识分子形象论
2.
On Characteristic of Post-modernism of Wang Shuo s Novel Writing;
略论王朔小说创作的后现代主义特征
3.
A Pilot Study of New Emergence and Conformism in Wang Shuo s Novel;
试论王朔小说的出新与俗性的“落套”
4.
On the Negation of Traditional Chinese Narrative Forms in Wang Shuo S novels;
试论王朔小说对中国传统叙述形式的否定
5.
Self-consolation and self-rescue at the End of Century --On countersatire and self taunts of wangshuo s novels;
世纪末的自慰与赎救——论王朔小说的反讽与自嘲
6.
Deconstruction and Structure--Wang Shuo's Rebellion against and Return to Novel Mode
解构与结构——王朔小说对模式的反叛与皈依
7.
A New Cultural Landscape:the Cultural Significance of Wang Shuo's Novels
开辟新的文化景观——王朔小说的文化意义
8.
The "Two in One":Hero and Anti-hero--Culture Marginal Person in Wang Shuo s Novels;
英雄与反英雄的二位一体——王朔小说中的文化边缘人
9.
Writer s Personal Impact on His Writings from Qian Zhongshu and Wangshuo;
从钱钟书、王朔小说看作家个性对创作的影响——兼论写作教学对主体创作个性的培植
10.
The Subversion of Positive Value and the Demolishment in Depth of the Discourse:A Study of the "Narrator" and the Structure in Wang Shuo s Novels;
正面价值的颠覆与文本深度的拆解——王朔小说中的“叙述者”与文本建构
11.
The Difficult Condition of Freedom;
自由的困境——读王朔的小说《动物凶猛》
12.
A Survey of Rich Array of Swearwords in Wang Shuo s Novels;
从王朔的小说看丰富多彩的詈语世界
13.
Comparing Wang Shuo s "Playboy" and Wang Xiaobo s Wang Er;
王朔的顽主式人物与王小波的王二式人物比较
14.
The" rascal" novelist Wangshuo makes use of lots of swearwords in his writing, which reflect the richness and colorfulness of the particular language in reality.
“痞子”王朔的小说里包含着有限但数量极多的詈语,反映了现实生活中詈语世界的丰富多彩。
15.
Generally speaking, I think we speak mandarin in formal, but speak Beijing tone with our friend, because it's friendly and close to you.
想学北京话,初级的看看冯导早年的电影,高级的看看王朔的小说.那就是我们的生活.
16.
An Analysis of Wang Shuo s Works and the Tide of Wang Shuo;
“流氓”的悲歌——浅析王朔作品和王朔现象
17.
Christie's detective stories are famous for their complicated and confusing plots.
克莉斯蒂的侦探小说以扑朔迷离的情节而闻名。
18.
From WANG Shuo to FENG Xiaogang-The Change of Aesthetics in Modern Social Culture Transition of China;
从王朔到冯小刚——当代社会文化转型中的审美流变