1) Loanwords
假借词
2) phonetic loan characters
假借
1.
Comments on phonetic loan characters and"San-shu Shuo";
试析假借造字兼及“三书说”
2.
In ANCIENT CHINESE LANGUAGE and ANCIENT MEDICAL LITERATURE, “phonetic loan characters” and “interchangeability of Chinese characters belong to the same category in terms of names, and are similar in meanings, therefore are confusing.
在《古代汉语》和《医古文》中 ,“假借”与“通假”名相类而义相近 ,容易混为一谈。
3) Jiajie
假借
1.
Discussion on the Word-formation Significance of Zhuanzhu and Jiajie;
再议转注与假借的造字意义
2.
Discussion on the Necessity of Distinguishing “Jiajie" from “Tongjia";
论区分假借和通假的必要性
3.
Jiajie"假借" in Hui Lin s the sound and meaning of the Tripitaka;
慧琳《一切经音义》中的假借
4) borrowing
假借
1.
There is a kind of gap phenomena in Character System,as in Lexical system and Phonetic system,and creating new characters and borrowing are the main methods to eliminate the gaps.
同词汇系统、语音系统一样,汉字系统里同样存在着空格现象;消除空格现象的主要手段是创造新字与假借;但是空格现象不会永远消失,它处于一种永无止境的循环之中,即:产生——消除——产生……,并且有一部分空格会一直都留存着。
2.
To some arguable points on the study of the characters in ancient Chinese language,the author thinks that by borrowing,Xu Shen really meant the method of making Chinese characters,not the method of making use of some Chinese charaters,when he said, "there is no ready character,but there are methods of making characters in accordance with what a character is voiced or what really means".
针对古代汉语文字教学中的疑点 ,该文认为许慎所论“本无其字 ,依声托事”的假借为造字之法而非用字之法。
5) jia jie
假借
1.
The schools of "san shu shuo" by Chen and Qiu both contain "jia jie",the reason is that they mix up the type of using characters and the type of creating characters,so they are in different types.
陈、裘两家的“三书说”都包含“假借”,是因为混淆了文字运用类型与文字构造类型这两种不同的类型。
6) loan
假借
1.
In primitive period, people under the control of loan consciousness, transformed the Nature, in which bring the use of tools; while loan became the beginning of art creation when people change the Nature in imagination.
假借是人类自觉的创造性意识和行为,尤其是精神性创造的重要因素。
2.
In the primitive period of human beings, people, under the control of loan consciousness, transformed the object, which led to the use and making of tools; while loan becomes the beginning of creativity of human art when people transform the object imaginatively.
假借是人类的自觉的创造性意识和行为,尤其是精神性创造的重要因素。
3.
Five cavils at Notes on 3,000 Unknown Inscriptions on Bones or Tortoise Shells（三千未释甲骨文集解） are put forward here, through which we should learn the inscriptions on bones or tortoise shells on base of characteristics and regulations of Chinese characters,but not on their interchangeabilities, loan-words, errors, simplified or word-games.
此文对《三千未释甲骨文集解》提出五点意见：不可用同义代替的“通假”方法释甲骨文；不可用借声表义的假借字义释甲骨文；不可用讹化字、简化字形释甲骨文；不可用文字游戏滥释甲骨文；应按汉字的特点规律释甲骨文。
参考词条
补充资料：假借字
| 假借字 汉字是由象形 、象意的文字发展起来的。有的外物有形象可以描绘，有的意思可以利用图像和笔画来表现 ，可是有很多代表某些事物的概念不能用象形、象意的方式随时造出文字来表现，于是就假借已有的音同或音近的字来代表 ，这种跟借用的字的形义完全不合的字就称为假借字。假借字有两类。一类是本无其字的假借，那就是上面所说的假借字。如“北”，甲骨文作“  ”，像二人相背。北方的“北”无形可像 ，就借语音相同的“ ”来表示北方的意思。许慎在《说文叙》里所说“假借者，本无其字，依声托事”，就是这一类。在语言发展过程中这一类的字很多。假借字的另一类是本有其字的假借。本有其字的意思是在日常使用的文字当中本来有表示某个词义的书写形式 ，但是在使用当中不用本来约定俗成的字形而写为另外一个意义不相涉而音同或音近的字 。这一类在秦汉以上的古书中极为常见 。如借“汤”为“荡”；《诗经·豳风·七月》“七月食瓜，八月断壶”，借“壶”为“瓠”，这些都是本有其字的假借。前一类可以说是不造字的假借，后一类是在用字当中的假借。在用字当中既然本有其字，为什么还要另外写一个假借字呢，其中可能有两种原因。一种原因是写书者仓促间写为一个音同的字，历代传抄因其旧而不改；另一种原因是某一时期 、某一地区或某一师承，经常习惯以某字代某字用，后世传写也就一仍其旧。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。