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1)  Chinese new poetry
中国新诗
1.
A Research on the Influence of Introduction and Translation of Foreign Poetry on the Occurrence of Chinese New Poetry;
外国诗歌译介对中国新诗发生的影响研究
2.
Just under the promotion and acceleration of these factors above-mentioned ,the Chinese New Poetry could develop along with the folk songs and achieve great accomplishment.
 中国新诗与民间歌谣关系的缘起有着深刻的经济(由传统开始向现代化转型)、政治(反帝反封建)、文化根源(启蒙运动和爱国主义思潮)和中外学术渊源(古今中外诗歌史上的民间歌谣传统),正是在这几种因素的推动和促进下,中国新诗才得以沿着"民间歌谣化"的道路发展并取得了巨大的成就。
3.
Formation and change of the discourse mode of Chinese new poetry before and after the May Fifth Movement was characterized by change with the absence of individual life (self), presence to absence forming a cycling process.
"五四"前后中国新诗话语模式的生成与嬗交,表现为一个循环态势,即个体生命(自我)的缺席--出场 --缺席的变化流程。
2)  Chinese modern poetry
中国新诗
1.
Beauty and the call of nature of life——Shao Xunmei and Chinese modern poetry;
美与生命本性的召唤——中国新诗现代化进程中的邵洵美
2.
On the great influence of the shape of English poetry to Chinese modern poetry and its transform of style in China;
论英诗形体对中国新诗的影响及其在中国的文体变异
3.
The Impact of Christianity Culture in Chinese Modern Poetry;
基督教文化精神在中国新诗中的诗性言说
3)  Chinese modern poems
中国新诗
1.
In the present paper,the author selected Chinese representative modern and contemporary poems on description for the death of beauty in the perspective of aesthetic critical dimension,then from the aspects of fate and social criticism,the paper interpreted and analyzed excellently the tragic content of death imagine in 20th century Chinese modern poems.
论文从审美批评的角度,选择中国现当代诗人中对于美的"夭亡"的书写具有代表性的新诗文本,侧重从命运角度和社会批判角度,对20世纪中国新诗中死亡想像所包含的悲剧内涵作出具体的解读与分析。
2.
Chinese modern poems is not only facing the unconcerned exterior plight of being isolated by the social mass,but the interior plight in the aspects of poetry composing,reading,and criticizing.
世纪之交的中国新诗面临着遭遇社会大众集体性疏离、冷漠的外部困境,同时新诗在创作、阅读与批评等方面也面临着内部困境。
3.
Based on the premise of the monism of poems, the evaluation criterion of Chinese modern poems hasn t been straighten out seriously yet.
在诗歌一元论理论前提下,中国新诗的评价标准一直没有得到认真的清理。
4)  modern Chinese poetry
中国新诗
1.
Its form made modern Chinese poetry diversified in form.
中国新诗形式观念的确立得益于译诗的启示:一是在观念上,译诗显示出来的新型诗歌的文体特征冲击甚至瓦解了中国固有的诗歌形式观;二是在形式上,译诗是早期新诗形式观念的实践者,是新诗的参照和模仿对象,促进了新诗形式的多元化;三是在创作上,译诗逐渐成为中国新诗传统的有机组成部分并带来了有别于传统诗歌的形式资源,诗人的译诗过程也为他们的创作积累了形式经验。
5)  New Chinese Poetry
中国新诗
1.
The establishment of New Chinese Poetry has its poetic reason: peots in those days felt difficult to create new poetic beauty in the traditional Chinese poetic forms.
中国新诗创立具有一定的诗学因素,诗人们难以在传统诗歌领域推陈出新。
6)  Chinese poetry
中国新诗
1.
Existence Consciousness and Its Writing Direction——The historical tendency of Chinese poetry since the 1990s
“生存意识”及其写作路径——20世纪90年代以来中国新诗的历史趋向
2.
From the comparison between Dai Wangshu and Eliot\'s poetry and criticism,I found they stepped into the deep musicality of poetry,which brought inspiration to the Chinese poetry:jump out of the circle of rehabilitation and deposition of rhyme,and take a another approach to the poetry:the deep musicality.
由于诗歌的韵律紧紧附着在语义之上,押韵必然会对诗歌的自由表现与自然美造成伤害,如何调解诗歌的押韵与表义之间的矛盾,也就是如何对待诗歌的音乐性的问题一直制约着中国新诗的发展。
补充资料:中国新诗流派

中国新诗流派是20世纪1940年代在上海出版的《中国新诗》等刊物上发表作品的诗人群,因此该诗派被称为中国新诗流派。

中国新诗流派的作品注重诗歌的现实意义和艺术价值,追求灵感和对理性的领悟,代表诗人有穆旦、辛笛、曹辛之、唐祈、唐湜、杜运燮、陈敬容、郑敏、杭约赫、袁可嘉等。

其中曹辛之、辛笛、陈敬容、郑敏、唐祈、唐湜、杜运燮、穆旦和袁可嘉等九人出版了作品合辑《九叶集》,他们也被称为九叶诗派。严格地说,九叶诗派是属于中国新诗流派的组成部分。

[编辑] 相关连接

  • 中国诗歌库 http://www.shigeku.com
  • 中国诗歌史 http://poetrycn.com

[编辑] 参见

  • 现代诗歌
  • 现代诗人
  • 诗人列表


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