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1)  Five-sentence
五句子
1.
Contemporary Text Record about Five-sentence Ballad Which Spreads in the County Area——Preface for Selected Reading of Zhaojun s Birthplace Five-sentence Ballad;
五句子歌谣在县域流布的当代文本记录——《昭君故里五句子歌谣选》序
2.
When we compare the harmony and the epilogue in Xiqu songs with the five-sentences and the interspersed sentence in Jingchu folk,it is easy to find striking similarities between them.
当我们将西曲歌中的"和声"与"送声"与当代荆楚地域流行的"五句子"与"穿句子"的歌唱形式进行比较时,不难发现二者惊人的相似之处,都是一领众和的演唱形式,和声衬词以当地人们习惯性的语气助词为主。
2)  "Five Sentences" ballad
五句子情歌
1.
Among various folk songs,the "Five Sentences" ballad is the most developed form, as it is famous for its special style,unique structure and rich content.
在形式多样的民歌当中,五句子情歌以其格调的特别、结构的独特和内容的丰富而成为鄂西土家族民歌中最为发达的样式。
3)  five-characters-verse
五言句
1.
This text makes two steps of studying the formative course of the two-and-three-feet-rhythm in the five-characters-verse,and reveals the reason of various types of rhetoric repetition lying in the efforts to make sentences and lines linkable and responsive to each other.
本文分两步探讨了五言句二三节奏的形成过程,以及五言体寻找句序以构成篇制节奏的多种途径,指出早期五言诗之所以大量使用叠字、对偶、顶针、排比等修辞重叠,主要是为了解决句与句、行与行之间的呼应和承接的问题。
4)  five consecutive oblique tones in one verse
五仄句
5)  five-line verse
五句歌
6)  wu ju luobɑn
五句落板
补充资料:五佛生五菩萨五金刚五忿怒
【五佛生五菩萨五金刚五忿怒】
 (杂语)五佛各出现菩萨,金刚,忿怒。此三者如其次第为法身,般若,解脱之三德,又为境智行之三轨。

说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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