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1)  Hakka Three-Role Tea Drama
客家三脚采茶戏
1.
Originated from the southern part of Jiangxi Province in mainland China,Hakka Three-Role Tea Drama in Taiwan,has gradually developed into Hakka Rectified Drama and Hakka Big Theater,with the advance of time and the change of audience s taste.
客家三脚采茶戏自大陆江西赣南传入至台湾后,随时代演进与观众品味,逐渐发展为客家改良戏与客家大戏,放眼台湾客家剧团当今的发展,唯有荣兴客家采茶剧团一枝独秀,而其它的客家戏团仍旧以宗教活动的演出为主,对于客家戏曲的演出仍然是以传统戏目与在外台的戏剧演出的模式为基本。
2)  Studies on the Source of the Hakka Drama of Picking-Tea
客家采茶戏源流考
3)  Tea-picking Play Group
采茶戏戏班
1.
A Survey of a Hakka s Tea-picking Play Group in Bobai of Guangxi;
广西博白客家采茶戏戏班调查
4)  Tea-picking opera
采茶戏
1.
Tea-picking opera is a kind of dramas which spreads widely in Jiangxi,Hubei,Hunan,Anhui,Fujian,Guangdong,Guangxi and other provinces.
采茶戏,是流行于江西、湖北、湖南、安徽、福建、广东、广西等省区的一种戏曲类别。
2.
Gannan Hakka tea-picking opera is indigenous to drama of folk small songs and dances, which is also named light drama, or trangle team, tea-picking opera keeps its unique culture and forms the qualities of learning with each other with all national local dramas during its development history.
赣南客家采茶戏是赣南土生土长的民间歌舞小戏剧种,俗称“灯子戏”,又名“三角班”。
5)  Zon-Hsing Hakka Tea Troup
荣兴客家采茶剧团
1.
Currently in Taiwan,only the Zon-Hsing Hakka Tea Troupe is outstanding,and the other Hakka troupes are still mainly doing their performances for religious activities.
客家三脚采茶戏自大陆江西赣南传入至台湾后,随时代演进与观众品味,逐渐发展为客家改良戏与客家大戏,放眼台湾客家剧团当今的发展,唯有荣兴客家采茶剧团一枝独秀,而其它的客家戏团仍旧以宗教活动的演出为主,对于客家戏曲的演出仍然是以传统戏目与在外台的戏剧演出的模式为基本。
6)  Hakka Big Theater
客家大戏
1.
Originated from the southern part of Jiangxi Province in mainland China,Hakka Three-Role Tea Drama in Taiwan,has gradually developed into Hakka Rectified Drama and Hakka Big Theater,with the advance of time and the change of audience s taste.
客家三脚采茶戏自大陆江西赣南传入至台湾后,随时代演进与观众品味,逐渐发展为客家改良戏与客家大戏,放眼台湾客家剧团当今的发展,唯有荣兴客家采茶剧团一枝独秀,而其它的客家戏团仍旧以宗教活动的演出为主,对于客家戏曲的演出仍然是以传统戏目与在外台的戏剧演出的模式为基本。
补充资料:对子戏与三小戏
      由小旦、小丑,或小旦、小生一对脚色演唱的戏叫对子戏,也叫二小戏。由小旦、小丑、小生三个脚色演唱的戏叫三小戏。这类戏,多产生于一个剧种形成的初期,或一些民间歌舞、说唱艺术发展而成的小型剧种中。如各种花鼓戏、花灯戏、采茶戏、滩簧戏、落子戏等。因此它又常作小型剧种的代称。对子戏、三小戏的剧目内容,大多取材于当时当地民间日常生活的片断,如《夫妻观灯》(黄梅戏)、《打鸟》(湖南花鼓戏)、《秋香送茶》(锡剧)、《王二姐思夫》(评剧),等等。表演偏重歌舞,并以手绢、伞、扇等为主要道具。随着剧种的发展,有不少小型剧种已逐渐上演人物众多、规模较大的剧目;而一些大型剧种中也保留着不少原有的生活小戏,如京剧《小放牛》、汉剧《打花鼓》等。因此,以这类剧目来区分大型和小型剧种,已不完全适当。
  

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