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1)  Fuzhou tea-picking opera
抚州采茶戏班
1.
Based on the collected data,the paper makes a further discussion on the chracteristics of Fuzhou tea-picking opera,from its structure,performance,stage art designing and the structure of plays.
文章分别从戏班的结构;表演形态;舞美设计及剧目结构四个方面探讨了抚州采茶戏班的特点。
2)  Tea-Pickers Opera of Fuzhou
抚州采茶戏
1.
Tea-Pickers Opera of Fuzhou,having developed about three hundred years,became popular in our country in 1950s to 1960s ,stagnated during the Great Cultural Revolution,and flourished again in the late 1970s to the middle 1980s .
抚州采茶戏有着300多年的历史,20世纪50年代到60年代中期开始在省内外扬名,“文革”期间陷入停滞,70年代后期到80年代中期复苏并再度繁荣,之后的发展虽呈现低谷,但仍在省内外有一定声誉和影响。
3)  Tea-picking Play Group
采茶戏戏班
1.
A Survey of a Hakka s Tea-picking Play Group in Bobai of Guangxi;
广西博白客家采茶戏戏班调查
4)  Fuzhou Nuo opera
抚州傩戏
1.
The performance system of Fuzhou Nuo opera demonstrates the particular cultural connotations.
抚州傩戏演制展示出其独特的文化内涵:一是驱傩的原始形态;二是融合明清社戏娱神乐人形态;三是寓传统的科举进仕文化主题,即人文教育思想于热闹的气氛之中。
5)  Tea-picking opera
采茶戏
1.
Tea-picking opera is a kind of dramas which spreads widely in Jiangxi,Hubei,Hunan,Anhui,Fujian,Guangdong,Guangxi and other provinces.
采茶戏,是流行于江西、湖北、湖南、安徽、福建、广东、广西等省区的一种戏曲类别。
2.
Gannan Hakka tea-picking opera is indigenous to drama of folk small songs and dances, which is also named light drama, or trangle team, tea-picking opera keeps its unique culture and forms the qualities of learning with each other with all national local dramas during its development history.
赣南客家采茶戏是赣南土生土长的民间歌舞小戏剧种,俗称“灯子戏”,又名“三角班”。
6)  jiɑngxi cɑichɑxi
江西采茶戏
补充资料:上恒(唐抚州景云寺)《宋高僧传》卷第十六
【上恒(唐抚州景云寺)《宋高僧传》卷第十六】
释上恒。姓饶氏。临川南城人也。童而有知。志学之年发心舍家。从母党在空门而求摄受。教诵佛典日计千言。壮齿从南岳大圆大师纳戒。而听涉精苦。大历中不去父母之邦。请隶于景云寺修习无亏亟淹年序。南山事钞讲贯尤专。贞元初徙居豫章龙兴寺。与庐阜法真天台灵祐荆门法裔兴果神凑建昌慧琎游也。埙篪合韵水乳相资。法付王臣。故与姜相国公辅颜鲁公真卿杨凭韦丹四君友善。提振禁防。故讲四分律。而迁善灭罪者无央数众。坐甘露坛二十许年。十有八会。救拔群生。剡浮东震男女得度者一万五千余人。元和十年微云乖悆。十月己亥化于庐山东林寺归全身于南冈石坟。住世七十七年。安居五十五夏。门人等树松柏。太原白居易为石塔铭云。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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