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1)  rural theme
农村题材
1.
Contrastive and complementary features of the novels of rural theme by Lu Xun and Zhao Shuli
鲁迅、赵树理农村题材小说之反向互补特性
2.
Since 1990s, China s TV screen has broadcasted rural theme series, which brought a rural series upsurge.
农村题材电视剧属于电视剧类型之一种,是指以现实农村生活为全部表现对象的电视剧。
3.
Since the new century, at the influence of the country\'s new economic development in rural areas policy, all sectors of society have paid more and more attention to rural life; and as a drama with Chinese characteristics, type of rural Teleplays has had a rare opportunity for development, also ushered in a large number of outstanding rural themes found in the television drama on the screen.
新世纪以来,在国家新农村经济建设政策的影响下,农村生活越来越受到全社会各方面的关注,而作为具有中国特色的电视剧类型——农村题材电视剧也迎来了难得的发展契机,一大批优秀的农村题材电视剧出现在电视荧屏上。
2)  Rural themes
农村题材
1.
Although Lu Xun Zhao Shu-Li and Gao Xiao-Sheng are representatives of the rural themes,their writings are quite different from each other.
鲁迅、赵树理和高晓声都是农村题材创作的代表,然而三大作家的创作都带有明显的时代特点。
3)  rural novels
农村题材小说
1.
In the seventeen-year rural novels, the nations ideological speech infiltrates the everyday words of rural cadres and peasants,and some new words are spoken by class enemy,the phenomenon of the change of characters speech is called speech-cloned in the novels.
在十七年农村题材小说中,国家意识形态话语渗入乡村干部和农民日常生活用语中,从阶级敌人口中也能听到一些新词汇,小说人物话语发生变化的这种现象可称为话语殖民,主要分析它在小说中的表现,所体现的程度及其深层内涵。
2.
The thesis gives some cases analysis on the writing and criticism about the rural novels in 1940 s~1960 s, attempting to discuss the forming process of the narrative criterion about the Chinese contemporary rural novels.
本论文试图通过对40~60年代中国农村题材小说创作与批评的个案解读,探讨中国当代农村题材小说叙事规范的形成过程。
3.
Chinese rural novels in the 1950’s and 1960’s assumed a splendid aspect.
首先笔者从宏观的角度上,分析了20世纪五六十年代农村题材小说产生的社会背景、社会政治思潮,与文艺思潮等,进一步得出20世纪五六十年代农村题材小说存在的合理性与局限性。
4)  subject matter on the cooperation movement in the countryside
农村合作化题材
5)  Western part rural area subject matter
西部农村题材
6)  the rural theme TV series
农村题材电视剧
补充资料:"列宁题材三部曲"
      见Н.Φ.波戈廷。
  

说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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