1) Ping-dan Beauty
平淡美
1.
The three representative theoretical forms about Ping-dan Beauty are studied in the third pan of this paper.
宋人通过陶渊明确立了他们的平淡美学理想。
3) pinhechongdan aesthetic idea
平和冲淡审美观
4) the aesthetic purport of "Ziran Pingdan"
"自然平淡"的美学旨趣
5) Simplicity
[英][sɪm'plɪsəti] [美][sɪm'plɪsətɪ]
平淡
1.
From Luoyang to the Yingzhou,Splendours Tend to Simplicity——Discussing OUYANG Xiu s Life Aesthetic Practice Briefly;
从洛阳到颍州,绚烂归于平淡——略论欧阳修的生命审美实践
2.
Genuineness results from simplicity: brief discussion on the simplicity and genuineness of Tao yuanming s poems;
平淡出真知——小释陶渊明诗的平淡自然
3.
Under the in fluence of traditional philosophy,Wang Yuanqi,a painter in Qin Dynasty,proposed a painting perspective of "seeking novelty in simplicity",which inherited both "innocent simplicity" of Sushi,a famous poet in Sun Dynasty,and "Simplicity feeds all what one needs" by Dong Qichang,a painter in Ming Dynasty.
他继承了苏轼"平淡天真"、董其昌"淡然无味天人粮"的思想,确立了"刚健婀娜审真伪"的审美原则,具有重要的理论价值。
6) plainness
[英]['pleinnis] [美]['plennɪs]
平淡
1.
The aesthetic "plainness" of the Song-dynasty poetics lies in four aspects,i.
宋代诗学"平淡"美有四个方面的基本特征:1。
2.
The paper starts from the explanation of"plainness"in Song Poem,investi- gating the change of literary thoughts in Song Dynasty;it analyzes the causes of the Plainness Theory.
因为中西方本就拥有两种不同文化特质,中国诗与外国诗是两种完全不同的研究对象,故宋诗平淡是否成为理论,如果完全参照西方的理论界定和标准,这是有问题的。
补充资料：平淡无奇
1.亦作"平淡无奇"。 2.平平常常，无奇特之处。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条