1) Hong Ren Huangshan Tiandufeng Tu Zhou
弘仁《黄山天都峰图》轴
2) Tiandufeng
天都峰
1.
On the Daily Distribution Pattern of Jourists, the Capacity for Tourists and Some Measures of Enlarging the Capacity for Tourists of Tiandufeng, Huangshan;
黄山天都峰游客日分布规律、容量与扩容措施研究
3) Hong Ren
弘仁
1.
As the representative of the hermit style and leading figure of the Xin an Style, Hong Ren, showed his status of scholar-bureaucrat for his lifestyle, artistic pursue and painting style.
弘仁作为逸民派的代表和新安派的领军人物,他的生存方式、艺术追求、绘画风格天然体现了当时的士大夫身份,本文把弘仁放在明清之际社会的背景中,放在绘画艺术的环境里,通过考察他的遗民身份、和尚角色、笔墨情趣,试图找寻其绘画背后的美学意蕴。
4) Huangshan Mao Feng
黄山毛峰
1.
The two lots books owned by the clan of Xie Zheng an,the inventor of“Huangshan Mao Feng”, reflect from an aspect the flourishing and declining of Huizhou tea dealers of that time.
“黄山毛峰”创始人谢正安家族的两份阄书,从一个侧面反映了那个时代徽州茶商的兴衰情况。
5) Huang Jucai Shanzhejique Tu Zhou
黄居寀《山鹧棘雀图》轴
6) Huangshan Maofeng tea
黄山毛峰茶
1.
[Objective]The content of metal elements in Huangshan Maofeng tea was determined by chemical means,so as to provide reference basis for its further development and utilization.
[目的]利用化学手段测定黄山毛峰茶中金属元素的含量,为其进一步开发利用提供参考依据。
补充资料：弘仁《黄山天都峰图》轴
中国清代弘仁的山水画代表作。弘仁(1610～1664)，清初著名僧人画家。俗姓江，名韬，字六奇，为僧后名弘仁,号渐江，安徽歙县人。此图纸本，墨笔，纵307.7厘米，横99.9厘米。写黄山绝顶天都峰。画作章法新颖，场面宏大，气势磅礴，以简洁凝练的造型，空灵峭健的劲线，寄写出黄山的英姿；近处是陡崖峭壁，几株虬松盘曲若龙，崖下涂涧，溪水汇流。隔溪仰望，对岸兀崖高耸，悬泉下泻，峰峦嶂，嶒崚重叠，巍巍天都主峰嵯峨其上，直指霄汉，其剑拔挺健之势，大有绝俗孤高的意蕴。右上角作者自题七绝一首，赞誉了黄峰的灵秀和壮美。左下方署"庚子"纪年，时渐江当为50岁。图作早为刘海粟珍藏，现藏南京博物院。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条