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1)  Wuyin Jiyun
《五音集韵》
1.
The article holds that the ming-consonant characters on the list of wei consonants in the book cannot be pronounced as wei consonants,and they are not the reflection of actual pronunciation,but the copy of the Wuyin Jiyun approach.
这种特殊现象引起了我们的注意,这些混入微母的中古明母字应读为何母?这种现象是当时实际语音的反映吗?通过考察发现《元韵谱》微母下收录中古的明母字,并不能读为微母,也不是实际语音的反映,而是完全照搬《五音集韵》的做法。
2)  Wuyin Qieyun
《五音切韵》
3)  A General Guide to the Five Tones
《五音通韵》
1.
A Review of the Design of Phonetic System in A General Guide to the Five Tones
《五音通韵》的音系拟订问题
4)  YinYunJiCheng
《音韵集成》
1.
YinYunJiCheng 《音韵集成》sparate and combinate by ancient entering tone did not consider the same and difference about the she (摄 ) of ancient rhyme.
《音韵集成》对中古入声韵的分并以入声韵为单位,不与阳声韵分合同步进行,也不考虑中古韵摄的异同,中古入声-p、-t、-k尾明显相混。
5)  Phonology [英][fə'nɔlədʒi]  [美][fə'nɑlədʒɪ]
音韵
1.
Research on the Value of Phonology in Miaofalianhuajing Shiwen;
《妙法莲华经释文》音韵研究价值初探
2.
From the 80 s of the last century, breaking through the limits of revise only, discussing phonology, gloss and so on from the aspect of linguistics, the studies of Yan Shigu s Notes for Hanshu have made some processes.
八十年代以来,对颜师古《汉书注》的研究突破了前人仅注重刊谬补缺的局限,从语言文字角度对颜注的音韵、训诂等方面都作了探讨,取得了一定的成绩。
6)  rhythm [英]['rɪðəm]  [美]['rɪðəm]
音韵
1.
The paper mainly examines the definition and the classification of the Theory of Intertextuality and the relationship between intertextuality and the translation of poetry,explores the application of intertextuality in poetry s rhythm and imagery.
本文探讨了互文性理论的概念、分类及其与诗歌翻译的关系,探讨了互文性在诗歌音韵和意象传递中的作用。
2.
By analyzing some examples of The Mulan Ballad, the authors think that Professor Wang, on the premise of the 揻aith?essentials to express original texts, gives consideration to both form and rhythm of the poem抯 translation.
通过对《汉英绘画木兰辞》的实例分析,认为汪先生的译作在忠实传达原文内容的前提下,真正体现了诗歌翻译中内容、形式与音韵的完美统一。
3.
Artistic sense is the soul of poems though its embodiment depends largely on language rhyme and rhythm.
英汉两种语言音韵表达手段和文化传统上的差异,使得唐诗英译充满挑战性。
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