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1)  social comedy
社会喜剧
1.
It discusses the social comedy in The Pyramid, burlesque in Darkness Visible, farce in The Paper Men, and tragicomedy in the Sea Trilogy, in an effort to elucidate on the various forms of comedy in the above-mentioned novels.
论文探讨了《金字塔》中的社会喜剧模式,《黑暗昭昭》中的模仿讽刺剧模式,《纸人》中的闹剧模式,和海洋三部曲中的悲喜剧模式。
2)  social preference
社会喜好
1.
The results suggest that when self-perceived social competence was controlled,a significant cross-lagged effect was found between friendship quality and loneliness,but there was no significant interaction between social preference(or social behavior) and loneliness.
结果表明:控制了社交自我知觉的影响后,友谊质量与孤独感存在显著的交叉滞后效应;而社会喜好和社会行为在控制了社交自我知觉的作用后,与孤独感不存在显著的相互作用;社交自我知觉与孤独感存在显著的相互预测关系。
2.
571 elmentary school children from grade 3 to grade 5 were used as subjects to investigate the relationships among social preference,friendship quality,passive withdrawal,self-perceived social competence and loneliness,and in addition, to investigate the impact of different level variable of peer relations on loneliness.
以571名小学三、四、五、六年级的儿童为被试,考察了儿童社会喜好、友谊质量、消极退缩、社交自我知觉与孤独感的关系,检验了不同水平同伴关系变量对孤独感的影响。
3.
The relationships among social preference,friendship quality,self-perceived social competence and loneliness are examined,the mediator effect of self-perceived social competence between peer relationship and loneliness is also tested.
以571名小学三、四、五、六年级的儿童为被试,考察了儿童社会喜好、友谊质量、社交自我知觉与孤独感的关系,检验了社交自我知觉在同伴关系变量与孤独感间的中介作用。
3)  social tragedy
社会悲剧
1.
Discussion of Xiangzi s tragic destiny origin in " Camel Xiangzi " came from two respects of social tragedy and personality tragedy mostly,however,the article carrys on the discussion to Xiangzi s tragedy from another three angles and thinks that his tragic origin lies in these three respects: excessive reliance on the health;demanding and misunderstanding the sex and self-sufficient concept.
对《骆驼祥子》中祥子的悲剧命运根源的探讨,大多是从社会悲剧和性格悲剧这两个方面来讨论的,而文章从另外的三个角度对祥子的悲剧进行了探讨,认为他的悲剧根源在于:对身体的过分依赖;对性的需求和错误认识以及自给自足的思想观念这三个方面。
2.
GUO Mo-ruo pays much attention to social tragedy,appeals to giving full play to the education fu.
在历史剧同历史与现实的关系上,他主张"借古鉴今",表现历史的真实;在历史剧的创作上,他强调"失事求似",写出历史的必然与可然;郭沫若重视社会悲剧,要求充分发挥悲剧的教育作用,认为社会主义时期可以写悲剧。
3.
From the perspective of formation cause and aesthetic experience, Lu Xun s tragedies can be classified into two forming categories of "social tragedy" and "personal tragedy" and two receiving categories of "affective tragedy" and "reasoning tragedy".
从悲剧的冲突成因和审美感受两个角度 ,鲁迅的悲剧小说可划分为“社会悲剧”与“个性悲剧”两种构成形态 ,以及“情感型悲剧”与“理智型悲剧”两种接受形态。
4)  the social tragic incident
社会惨剧
5)  tragedy of society
社会悲剧
1.
This article analyses the novel "The Necklace from the perspective of tragedy of society and offers new thought for the readers.
本文则试图从社会悲剧的角度来重新解读此文,深入挖掘作者的社会批判意识,以期为读者提供一条新的思路。
6)  social dramas
社会戏剧
1.
Moreover,the current writing situation of social dramas is in its best time,and meanwhile,there are some problems.
当下社会戏剧的创作正处在最好时期,但也存在不少问题。
补充资料:社会存在(见社会存在决定社会意识)


社会存在(见社会存在决定社会意识)
social being

  定社s卜ehui eunzoi社会存在(soeial being)会意识。见社会存在决
  
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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