1) ritual music used in the sacrificial rites to heavenly gods
祀天神乐
1.
The four tonal systems of the ritual music used in the sacrificial rites to heavenly gods in the era of King Seongjong (成宗,1470—1494) came into current form after its wrong modal name was fixed into the suitable wi system,and then it was again fixed into gung scale since only gung scale was used in the early Joseon dynasty.
在《乐学轨范》中除了《周礼》、《宋史》、成宗朝的祀天神乐四调中的宫调"圜钟为宫"调外,即使其他三调黄钟为角、太簇为徵、姑洗为羽的调名相同,这三调的构成音与中心音也都各不相同。
2) the worshipping gods
祀神
1.
It classifies the behaving forms of the worshipping gods mainly from the aspects of the territorial scope, the position of worshipping, the nature of worshipping, fable and so on.
本文以莆田黄石书社的祀神这一实际情况为出发点,简要分析了黄石书社祀神产生的人文和历史地理条件。
5) sacrifice rites
祭祀乐舞
1.
As the embodiment of national ceremony system, the sacrifice rites of the Han Dynasty reflected the process of influence of Confucianism on the dominant thought of the Han Dynasty.
作为国家礼乐思想的体现者,汉代国家祭祀乐舞可以反映儒学对汉统治思想影响的进程。
6) sacrificial songs
祭祀乐歌
补充资料：祀天
1.祭祀天神。帝王郊祭的古礼。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条