1) being adapted for Peking opera
改编京剧
2) Peking Opera adaptation
京剧改编
1.
This paper is intended as an inquiry into Shanghai Theatre Academy s Peking Opera adaptation of Peer Gynt in terms of aesthetics, theme, and textual form.
本文针对上海戏剧学院戏曲学院的京剧改编《培尔·金特》一剧,分别从审美观、主题以及文本形式等方面进行比较分析,探讨其中的东西方文化的冲突与融合。
3) Beijing Opera reformation
京剧改革
1.
Stepping but not Transfiguring——On Mei Lanfang s Pattern of Beijing Opera reformation;
“‘移步’而不‘换形’”——论京剧改革的梅兰芳模式
2.
The author has ever argued that there were three patterns of Chinese Beijing Opera reformation in the 20th century,Mei-Lanfang pattern,Tian-Han pattern and Yan an pattern.
本文作者曾经提出20世纪中国京剧改革的三大模式(即梅兰芳模式、田汉模式、延安模式)的理论。
4) reform of Peking Opera
京剧改良
1.
Wang Xiaonong , a Manchu people, is a well-known Peking Opera playwright and actor who also played an significant role in the reform of Peking Opera.
汪笑侬,满人,清末民初著名京剧剧作家兼演员,京剧改良运动中的重要人物。
5) adaptation dramas
改编剧
1.
Both the achievements and shortcomings of Lin Zhaohua s adaptation dramas are reflected in the "second theme".
林兆华导演很多的名作改编剧不求忠于原作,而是采用戏拟和拼贴的改写策略,彰显出林兆华独特的"第二主题"。
6) adapted stage play
改编话剧
补充资料：改编
①根据原著重写（体裁往往与原著不同）：这部电影是由同名小说～摄制的。②改变原来的编制（多指军队）：把原来的三个师～成两个师。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条