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1)  the limits of painting and poetry
诗画异质
1.
In the history of the world arts,the comparative research of the limits of painting and poetry goes back to ancient times.
莱辛的《拉奥孔》专论“诗画异质”,成为西方近代文学批评的重要开端。
2)  the difference between poem and painting
诗画差异
3)  poetry and painting
诗画
1.
This paper discussed the profound influence of Chinese poetry and painting on Chinese Penjing in the formation and development of its national style and pointed out that the Chinese Penjing is consistent with Chinese poetry and painting in the consciousness of space, painting is its shape and poetry is its soul, the fusion of poetry, painting and Penjing are the path to develop Chinese Penjin
探讨了在中国盆景民族风格的形成与发展中 ,中国诗画对它的深刻影响。
4)  poempicture
画诗
1.
He called his poems“poempicture”for their peculiar style.
cummings)大量应用变异的手法,写了很多独具一格、他自称为“画诗”(poempicture)的奇特的诗,因此要读懂就必须理解其中的变异手法。
5)  poem and painting
诗画
1.
There is something of poem and painting and something of Fengshui,which is so called typical south China scholar garden.
因历代园主均为诗画双全的传统文人,故堆山理水颇得诗情画意,可以称得上是典型的江南文人园。
6)  Poetic charm
诗情画意
1.
The paper illustrates approaches to representation of poetic charm of Chinese lyric pr.
汉语抒情散文的英译是一项十分复杂的艺术创造过程 ,要求译者在准确理解的基础上把握其审美要素 ,从思想感情、语言风格和修辞等诸方面再现原文的艺术整体效果 ,译出散文的诗情画
2.
As far as Humble Administrators Garden which is one of the four most famous gardens in Suzhou,its landscape construction,regarding poetic charm as the aesthetic principle,expresses intense pursuit of artistic conception and reflection on literati gardens.
苏州四大名园之一的拙政园,其园林景观的营建,以诗情画意为审美原则,体现了中国文人园林对意境的强烈追求,以及园林对文人思想的反映。
补充资料:与马异结交诗
【诗文】:
天地日月如等闲,卢仝四十无往还。唯有一片心脾骨,
巉岩崒硉兀郁律。刀剑为峰崿,平地放著高如昆仑山。
天不容,地不受,日月不敢偷照耀。神农画八卦,
凿破天心胸。女娲本是伏羲妇,恐天怒,捣炼五色石,
引日月之针,五星之缕把天补。补了三日不肯归婿家,
走向日中放老鸦。月里栽桂养虾蟆,天公发怒化龙蛇。
此龙此蛇得死病,神农合药救死命。天怪神农党龙蛇,
罚神农为牛头,令载元气车。不知药中有毒药,
药杀元气天不觉。尔来天地不神圣,日月之光无正定。
不知元气元不死,忽闻空中唤马异。马异若不是祥瑞,
空中敢道不容易。昨日仝不仝,异自异,是谓大仝而小异。
今日仝自仝,异不异,是谓仝不往兮异不至,
直当中兮动天地。白玉璞里斫出相思心,
黄金矿里铸出相思泪。忽闻空中崩崖倒谷声,
绝胜明珠千万斛,买得西施南威一双婢。此婢娇饶恼杀人,
凝脂为肤翡翠裙,唯解画眉朱点唇。自从获得君,
敲金摐玉凌浮云。却返顾,一双婢子何足云。
平生结交若少人,忆君眼前如见君。青云欲开白日没,
天眼不见此奇骨。此骨纵横奇又奇,千岁万岁枯松枝。
半折半残压山谷,盘根蹙节成蛟螭。
忽雷霹雳卒风暴雨撼不动,欲动不动千变万化总是鳞皴皮。
此奇怪物不可欺。卢仝见马异文章,酌得马异胸中事。
风姿骨本恰如此,是不是,寄一字。



【注释】:



【出处】:
全唐诗:卷388-21
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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